Quote:
@ michaelxray:
Did you get a chance to A/B the new Floats side-by-side with the Stax SR-007 or SR-009 on the same rig? The Stax are my current favorites, so I'd love to know how they compare in terms of frequency response and overall tonal balance, specifically.
Also would you mind elaborating a bit on the circumstances of your trying these new Floats? Where did you hear them? I think it would help if people had a better idea of where you were coming from, and what your relationship is to the product in question (are you just an enthusiast who likes the Floats? Do you know the designers?).
We get so many of these types of claims every day, so a bit of skepticism is a healthy approach. I'm optimistic about these, especially as Mr. Jecklin has had a lot of input on the project. If these are as good as is being claimed, then they have nothing to hide, and when more people get to hear them the word will spread. I myself plan to get them and try them too at some point.
You are right.
Yes, I know Mr. Stein (Designer) personally. I heard the float QA in Gering. Manufacturer (Home). The Stax 009 I do not know. All other Stax, incl. the 007er models, I can put into a relationship. In a relationship with the float QA. And basically that's no problem:
You have something on Stax (perhaps familiar sound character), which does not change. A 007er, whether in the treble a little less or more, remains a Stax. The same applies to a Sennheiser Orpheus or Orpheus baby. (The character of Orpheus was not the character of a Stax), ...example.
The same can be found in Beyer or AKG's. Even a Stax Lambda shows in principle the exact limits that apply to a 007 also. Of course, things happen. This is always the case. Finer, bigger, better soundstage, more clear ... But this is the headphone development.
A BeyerT1 has more to offer than a Beyer DT880. And yet, a T1 is not the audibility (transparency, air) from a Stax Lambda - as an example.
what I'm saying: There are limits. An AKG K1000 was able to achieve something that not could play any other AKG models. Why? Not because it was the tenth improved diaphragm and the same principle. No. Because the principle changes (construction). Even a K701, K702 (now up to date) can not make the head room, like a K1000.
What we want as a headphone fans? quality! what else
"so a bit of skepticism is a healthy approach."
Completely correct.
But skepticism should not block the way.
I can remember well: in 1989, when there came a K1000, there were many voices:
What is this construction? For what good is that? etc
A little later: Oh, what a room. Oh, more precision
People always tend toward skepticism. This is normal for our lives. And also correct.
Consider the development of Audez'e. Skepticism? Yes, and rightly so.
I had all three: LCD2 (rev 1), LCD2 (Rev2) and LCD3. All different.
And yet, same family.
I'm not hyper, I'm no intellectual property, and I do not, in principle, whether the name Sennheiser, Audeze, Hifiman, Stax, Jecklin ...
I am fan of headphones. This is important. If a company makes a good step, I'm a fan here. No matter what name.
Mr. Jecklin has also an advantage. He is not a new to the scene, but for over 40 years standing. If such a man again takes a step, my ears are very long. And my big interest.
That's the whole background. Nothing more.