MaxHeifetz
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- Apr 10, 2003
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Don't know if this is the most appropriate place to discuss JPop, but here goes. Judging from Yoko Kanno's 2 recent songs, Hemisphere and Tune the Rainbow, both sung by Sakamoto Maaya, it seems as if her song writing is much improved from before. The main theme of each is actually hidden after a long, elaborate (tonally amazing) introductions and the songs fit together very well. Compared to her other written vocal songs, it seems as if her song writing is developing some complexity.
Also...how lucky is Sakamoto Maaya for having a friend such as Yoko Kanno? I mean, she's probably the envy of every seiryuu in Japan. Her voice in the beginning was cute, but undeveloped. Her vibrato was non existant and she sang off key in live performances. Kanno stuck with her always feeding her top notch songs. Now, Maaya's voice has matured...and she is still receiving even better songs. What luck.
Also...how lucky is Sakamoto Maaya for having a friend such as Yoko Kanno? I mean, she's probably the envy of every seiryuu in Japan. Her voice in the beginning was cute, but undeveloped. Her vibrato was non existant and she sang off key in live performances. Kanno stuck with her always feeding her top notch songs. Now, Maaya's voice has matured...and she is still receiving even better songs. What luck.