I think what you see in the picture is meant to be non-separable for user. I didn't measure them, but drivers are only about 40mm in diameter I think.
I think the covering you took off is called a 'felt', it's what the tech I'm getting my HD250 Linear capsules from calls them. He's sending me a couple of felts for mine.
I had a fine listening session last night, sort of a shoot-out with two, then three headphones. I was feeling the need for a good blast of rock and roll, so The Who-Live In Leeds fulfilled the need admirably, as it so often has. My favourite parts of this great and classic album start from "I'm A Boy" and it's brilliant introduction at the end of it to the next piece, "A Quick One, While He's Away" and followed by the outstanding two piece track, "Amazing Journey-Sparks". If that last one doesn't get your blood moving and whole body air guitaring, bassing and drumming, I don't know what would! WOW is that a stunning piece of music! Keith Moon's drumming is spectacular, let alone the brilliant contributions from the rest of the band. Hardly have they finished that rip-snorting pace they are straight into Summertime Blues and Shakin' All Over. However, despite those brilliant spectacles, it was the 15 minute+ My Generation medley that brought in all three of the headphones involved in my involuntary shoot-out. The Ref1s, HD6XX and later the HifiMAN HE400S with it's non-stock cable. 8 min 40s into the medley, from a quiet moment, Pete Townsend then hammers out the 5 chord intro repeat into the "See Me, Feel Me" refrain and it's amazing how telling just this little section is. Both the HD6XX and HE400S have slightly greater transparency and instrument detail, focus is tighter and 'smaller', greater initial string attack. It's the Ref1s though that bring me the joy, the sheer weight and
presence and
intent as Pete powers into those chords, the removal of any barrier between me and the performance. Coherence. Whole, like a real live performance is whole. The following 4 minutes or so is exhilarating in it's energy, totally consuming.
The other cans let me hear the recorded detail to a greater extent, but that doesn't mean I enjoy the music any more because of that. The Ref1s also let me really hear, feel and almost roll in ecstasy at John Entwhistle's bass playing, the other two headphones lighten that presence significantly, yes, the HD6XX included - they are improved with the Mogami cable, but nowhere near as delicious as the Ref1s with either Mogami or the HD6XX cable, with which they are well suited too and this is how I used them last night, the Mogami filling out the HD6XX somewhat.
All in all, an interesting experience. The Ref1s always leave me feeling like I've been to the live performance, thrilled and almost exhausted with pleasure, complete with sweat and accelerated heart rate. The others .... stepped back from the live event a bit, a little more detail to listen too and while absorbing in itself, foot-tapping and enjoyable in their own right, the 'smaller' images leading to a lessened 'presence' and the reduction of John Entwhistle's extraordinary bass playing commitment to the whole, just leaves me a little wanting - you simply must NOT reduce his contribution of the crucial bass solos on "My Generation", let alone any of the other pieces! Yes, the HD6XX play the bass just fine, tuneful and easy to hear that the treble is wound up on the guitar, as John usually did, yet it lacks the deeper presence, the grumbling, twanging, snapping
feel of John and bass guitar energy that is an essential part of the whole.
It's quite possible that even now, the HD6XX/HD650 are more admirable with the likes of the Little Dot MkIII/IVSE valve amps, but while they can be very good with the Mimby/Magni 3 combo, maybe they need something from the old stomping ground to really sing at their best? They appear to have a rather weird distribution pattern, as if they have more focused imaging in front and to the sides, but a slight gap in presence in-between. Imagine a flattened 'W' laid out in front of you, more centre/left/right. The Ref1s have only an all-encompassing sound field that's noticeably different from any of my other headphones. No gaps, sound everywhere. No skull bones, no headphones, just music. Strangely, the HD6XX were rather good with a recording of Beethoven's Violin Symphony, better than with rock music, actually, though I was still aware of wearing something on my head.
I am
really looking forward to hearing my upcoming Linear 1s with this fabulous concert when I can build them!
PS I went back to that Who concert a few moments ago, this morning now, a few minutes with the HD6XX - good - then back to the Ref1s and into the sheer energy of a live concert. Stunning show. Very hard to take the Ref1s of my head and have Mooned - that's Keith Mooned
- myself into a frenzy in Amazing Journey/Sparks. That's why we do this, right?
Heh heh.