Interesting link Dave-The-Rave. Thanks for that man.
I don't know if you guys are interested In this or not. I recently tried a little experiment with my rig.
Krell MD10 Transport
Chord ProDac 75Ohm Digital cable
Krell Studio DAC
Nordost Red Dawn i/c
Audiolab 8000q
Nordost rEd Dawn i/c
Tube Tech Genesis Monoblock amplifiers
Qed Genesis Silver Spiral spkr cable with WBT connections
ProAc Response 1SC
Now this is not a new rig by any means, with most components reaching the 10 year old mark. It is however, quite a detailed rig and more than capable of showing up differences in cables etc.
My interest in messing with the digital cabling and signal path was whetted by jitter buster that I had seen on Ebay. I won my bid and eagerly awaited my new toy. A Theta TLC
When it came I set it up with an Electrical Digital cable - a Chord ProDac - from my Transport and the reclocked signal was fed to my DAC with another Electrical Digital cable - a Mountain Snow Atlas (rebadges Ecosse). The results were disappoining to say the least. Far from removing jitter it actually increased it!
The mids were more congested, treble was a little tizzy and bass response a little sloppy not to mention the imaging that had smeared. Something was clearly amiss. A quick search of the 'net brought a few answers. In this configuration the so-called jitterbuster actually creates a good deal more jitter than ever before.
So I rewired the TLC with an Optical Digital cable (a Monster Lightspeed 200) from my Transport to the input and fed the output to my DAC with an Electrical Digital cable - a Chord ProDac. Once I did this things sounded much much better. The bass tightened up a bit, imaging became much pinpoint, the midrange congestion cleared up and the treble sweetened considerably.
Speaking to a few people and poking around inside a little, a conclusion was drawn that because of a common ground between input and output, the unit wan't working to spec. Once the common grounds were changed the problems disappeared and said unit was then working impeccably.
After a month I took the unit out and put the rig back together with a straight digital connection between the Tranport and DAC, but the only difference this time being that I used the Optical connection with the Monster Lightspeed 200 being presses into service. The gains from the TLC obviously disappeared but the sound was as before when I was just using the Electrical Digital connections.
My personal view is that the Toslink Optical Digital connection is just as worthy as an Electrical connection. YMMV
Sound As Ever
listening to Stacey Kent - Dreamsville