------------------------------------------------------------------------
Ugh. All I can say is that it really depends on who's writing the reviews. If you go strictly by the numbers, you've got a situation like audioreivew. Often, I find that you should check out the films that got all 5 stars or 1 star - they've got something amazing going on. The one's that get 3 stars, it's like - whatever. It's ok, but why waste the time? Plus most of the decent films being made today just aren't being reviewed by most of the reviewers, cause most of them are getting paid off by the studios
------------------------------------------------------------------------
The difference with
www.rottentomatoes.com and
www.audioreview.com is that one is a professional critics and the other could be a 17 years old kid who knows nothing about the subject. I know at the end of the day it's all a matter of opinions but you have to remember that the critics have seen thousands of movies and they have all that knowledge to compare to. Where the kid could be someone who only like Adam Sandler movies and probably never even seen The Godfather.
And the other thing is that the % is from all the critics, just 1 person saying it's bad doesn't effect it that much, it's not a 5 stars scale. And I am nothing saying I won't watch a film because it gets less certain %, I am saying I am less likely going to pay at the cinema to see it.
---------
Right - I understand your point. And I'm not trying to say that Rottentomatos is a bad site. But I think my point still stands - the net effect of getting together all these reviewers (and the word "professional" is a little bit scary to me, given the paucity of what you have to do to qualify as a professional reviewer) is give a "general opinion". So take a movie like Lars von Trier's recent Dancer in the Dark, which starred Bjork, in an absolutely phenomenal performance. A bunch of critics thought it was the best movie of the year. A bunch thought it was absolute garbage or worse. Well, maybe I'm want more 'interesting fare' than most, but that's the kind of movie I want to check out. Because people are all crazy about it - one way or the other. That's the first point.
The second point is just that I rarely see many critics reviewing movies they should - where is the publicity for great films like Wang Kar-Wi's In the Mood for Love, or Kurasawa's (not akira, the new one) Cure?
To be a good critic, you have to be relatively independent of the system, which most of these people are decidedly NOT. It's a lot like asking an audiophile dealer who only carries sennheiser and grado what the best headphones are. MAYBE they'd suggest sony or beyerdynamic every once in a while, but I seriously doubt it.