The Westone Mach 80 for absolutely flat and accurate. That means there is no push, nowhere. Not in the bass, not in the mids and not in the treble.
That results in an very harmonic and balanced sound that you can crank up pretty far in terms of volume without anything being "too much". The Bass will never turn into an distorting mess, the treble will not get sharp and hot and painful and so on.
The Mach 70 is exactly the same, but with pushed bass (which is important for a lot on stage and/or on the go. Because if there is a lot of noise around you (as said, on stage but also on plains and stuff like that), the Bass dies first.
The biggest difference to Audiophile IEM is the lack of the push in the upper-mids/treble. most IEM have an significant push there.
Random example Vision Ears VE7 (Professional IEM) vs. Vision Ears EXT (Audiophile In-Ear)
Short Summary that does not do justice to all IEM and or In-Ear: Audiophile In-Ear sound more wow, but more wrong. Professional IEM sound more boring to a lot at first, but more correct and will give you more advantages in the long run.
A friend of mine recently listened to an Final Fantasy Orchestra Recording and complained, that the background chorus is too low in volume. I gave him my Studio Monitors to listen again and he was amazed, that the chorus now suddenly was in balance with all other instruments.
if you're coming from an Audiophile In-Ear, you will be underwhelmed at first, but give yourself a few days (not listening to the audiophile ones for comparison) to get used to that sound, and suddenly, everything else will start to sound off and wrong.