Since the CS8412 is a 24-bit 96KHz S/PDIF receiver I'm 99% certain that the 47 Labs is a true R-2R even if you can't find the specific chip it uses. I've never heard of a modern single-bit DAC using a vintage CS8412 receiver and most modern single-bit DAC chips have built in S/PDIF receivers and wouldn't require it. Likely the 47 Labs is using an older R-2R DAC chip such as the TDA1541 or TDA1543 since there is no advantage to feeding them 192KHz input.
There is literally no info on the UDA1305AT chip in any search I've done. People even commented "there is no info on this chip" that I found in the search. My guess is that it is not an R-2R chip since pretty much all of the vintage R-2R chips are well known. It is very likely that chip is used for other purposes, such as a receiver, digital filter, or demultiplexer that feeds the actual DAC chip.
The LTC2753 is not R-2R, but it has a form of "multi-bit" decoding since it has multiple Sigma-Delta converters running in parallel. I believe these multiple decoders are used as a form of error correction during data transmission. Quite an odd bird when it comes to audio DACs. I don't know of any other company using that DAC chip.
The Wolfson WM8742 also states "Multi-Bit Sigma-Delta conversion" on its data sheet. That is another term for "Wide-Band DSD" which is what recording studios use to lower the noise floor when editing, mixing, and mastering DSD. It is not the same as "R-2R" even though the term "multi-bit" is used to describe both. Note that for each bit you add your noise floor is reduced by 6dB. This is why Sigma-Delta DACs require such sophisticated digital filters, noise shaping, and upsampling (moves noise out of the audible ranges).
And the PCM1704 is not actually a pure 24-bit R-2R DAC chip. They can not match multi-bit resistor ladders beyond 20 bits according to what these companies tell me. The PCM1704 is in fact an ingenious hybrid of multi-bit R-2R and algorithms. They use two R-2R resistor ladders, one for the Most Significant Bits (MSB) and one for the Least Significant Bits (LSB). Then the ladder from the LSB is summed, significantly reduced in voltage, and "spliced" onto the the output from the MSB ladder using an algorithm. To me the PCM1704 has a sonic signature half way between classic R-2R and modern single-bit Sigma-Delta decoding. I still prefer the sound to any modern single-bit DAC chip
Something else to account for is tube output stages. Read the data sheets: most tube output stages have less than 90dB SNR. Since a 16-bit recording has a potential of 96dB dynamic range that would mean that no matter the resolution of the DAC chip that is used in a DAC with a tube output stage the output bit-depth resolution can not be greater than 16-bit Red Book. Sorry to burst anyone's bubble on that techno-fact
How come HD recordings still sound better on these DACs?
Because the editing, mixing, and mastering of these new HD recordings is better than the original Red Book release and not because the format is actually 24-bit.
That's why a well made 16-bit DAC, such as my personal "low budget" favorite, the Terra DAC, can out perform much fancier higher resolution DACs. The Terra DAC has no additional op amps, no tube output stage, uses a good quality external power supply, and much larger higher-quality output capacitors than most. A simple proven design that is done well. Almost identical to the circuit used in many of the more expensive TDA1543 DACs on the list.