ProtegeManiac
Headphoneus Supremus
I typically prefer to stay within healthy listening levels.
The SQ to my ears was very good, and not that easy to tell apart from my main rig, which by the time I had the HD600 was a very nice Bifrost (4490) / Asgard 2 setup.
Not to say they sounded exactly the same, to my ears the BF/ASG2 combo was still slightly ahead the E10K as expected.
As long as the amp can handle the required voltage swing, it will drive the high impedance load just fine. (SQ will depend on other factors, that's granted)
Most smartphones for instance can't reach 1 Vrms, some of them can't even reach 0.7 Vrms.
This type of devices have been getting better and better in the last decade. I had the FiiO E07K (2013) which was a clear step up from the FiiO E7 (2010) it replaced.
Then I got the FiiO E10 which sounded significantly better than the E07K. The difference was easy to hear, E10 was cleaner and more transparent.
When E10K was introduced I though it would sound pretty much the same as the E10, but it's indeed more resolving in the upper registers and has a slightly less dry tonality which is welcome.
100dB/mW vs 97dB/mW means he'll need 2 times the power to drive the HD600 vs MSR7.
For normal use (healthy loud) he will need up to 10mW for HD600 and only 5mW for MSR7
E10K can handle those requirements with extra room.
Smartphones are capable of only 2mW - 3mW into 300 Ohm load, that surely plays a role.
But anyway HD600 can and should sound great with 2mW (if you decide to listen to music at those levels)
The main reason resolving headphones like HD600 don't sound great plugged on smartphones is that smartphones don't sound great.
That plays indeed a bigger role than available power. Smartphones aren't designed with high fidelity audio reproduction in mind.
You can use a Moto G to feed an Auralic Taurus MK2, and despite the huge power reserve, the combo will still sound pretty bad.
HD600 is not known for having a particularly "lively" sound signature, while MSR7 can be labelled as more lively in the big scheme of things (more extended bass and more treble sparkle).
I would pick the HD600 over MSR7 anyday, as I appreciate what it does (and not many headphones do)
But as I've said before, I think something like the AKG K712 PRO (or DT1990 PRO) should be closer to an "open MSR7" than the HD600.
Yes but I'd still caution him precisely because chances are people "upgrading" tend to expect something that "sounds more like real music," and for people who need that - ie, a more lively sound - going from an higher sensitivity headphone to one that requires double the power or so without upgrading to a more powerful amp would tend to come back and complain that whatever they have wasn't an upgrade because it sounds boring.
And no my HD600 doesn't sound boring, but that's also because I listen in short bursts toeing the line towards "slow descent into hearing damage." Which is also why I did add the qualification to him - as did you - that if he listens at very low volume it won't be a problem. But I also note that if he listens fairly loud on the MSR7, chances are he'll find the HD600 boring, more so than due to its frequency response curve.
In any case it's not like I'm literally right in front of him to stop him, only that if it turns out I'm wrong, then at least he's enjoying it; but if it turns out I'm right, well, I'm just making it clear that I put up enough a number of concerns about his planned move.