I use Brazilian Cryo treated 6FQ7 RCA cleartops and compare them with the Brimar/Mazda tubes.
Although the tubes are still not really broken in, my first impression of my tuberolling is the same as Nik's.
The cleartop present a good headstage, provide much information and a nice loose bass (you can really hear the exact toggles on the bass strings). In the high frequency region, the sound is very extended. Especially metal percussion instruments, electrical guitars sound very open and natural.
The downside is that indeed the female voice is sounding slightly less natural, especially in the 's' sounds (like Nik described).
My impression is that it gets better when the amplifier is on for a long time (> 3 hours), so it might also be partly due to the hybride character of the SRM-007t.
After some 20 playing hours, unfortunally one of the tubes broke down (will be replaced on guarantee).
So I placed the Brimar tubes in again. The first thing that I noticed was the somewhat more relaxed sound. Although at first it does not seem to perform as well as the RCA's in the extremes, all the information is there. But it is presented in a more uniform, natural way. Female voices sound at bit warmer and more fluent (triode effect?). In an ensemble, the individual instruments are presented very well with much detail, but without loosing the overall musical picture.
A good audio amplifier should not be heard, it should only do the job of amplification and add nothing to it and leave nothing out.
My first impression is that the SRM-007t with the Brimars perform more in that direction. Also here break-in of the tubes are not completed, so I'm curious how they will sound fully broken in.
Best,
BigEar