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Headphoneus Supremus
- Joined
- Dec 11, 2001
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Based on recent conversations with friends, there appears to be a longstanding, widespread misunderstanding of the impact of EQing the iPod. Two things are essential to getting on top of the problem. Many know how this stuff works as well as I, but this is intended for those who may not.
First, forget the names of the EQ settings. They are arbitrary and serve no purpose other than differentiating between settings. They often bear absolutely no relation to the genre you're listening to.
Second, take a look at the actual slider positions in iTunes for each of the supplied presets. Many will do exactly what you don't want to do with your system such as increasing the bass or cutting the mids in the case of typical W3 users. For example, if you prefer a singer to be more forward take a look at the Pop sliders. This is probably what you want. But also take a look at the Rock sliders. This is precisely what you don't want. Many Rock enthusiasts simply select Rock and immediately decide that the iPod's EQ sucks. It doesn't necessarily, but the preset names certainly do.
Finally, keep in mind that many EQ changes require a volume adjustment to regain tonal balance. Boosting one part of the spectrum, for instance the mids, can overdrive a DAP's amp stage, particularly when using 'phones with low sensitivity. But a similar affect can be gained by cutting the other portions of the spectrum and raising the volume slightly. Conversely, selecting the Bass Booster setting may require a lowering of volume. Conventional wisdom notwithstanding, when applied judiciously some of the settings are very useful with little or no penalty to overall SQ.
First, forget the names of the EQ settings. They are arbitrary and serve no purpose other than differentiating between settings. They often bear absolutely no relation to the genre you're listening to.
Second, take a look at the actual slider positions in iTunes for each of the supplied presets. Many will do exactly what you don't want to do with your system such as increasing the bass or cutting the mids in the case of typical W3 users. For example, if you prefer a singer to be more forward take a look at the Pop sliders. This is probably what you want. But also take a look at the Rock sliders. This is precisely what you don't want. Many Rock enthusiasts simply select Rock and immediately decide that the iPod's EQ sucks. It doesn't necessarily, but the preset names certainly do.
Finally, keep in mind that many EQ changes require a volume adjustment to regain tonal balance. Boosting one part of the spectrum, for instance the mids, can overdrive a DAP's amp stage, particularly when using 'phones with low sensitivity. But a similar affect can be gained by cutting the other portions of the spectrum and raising the volume slightly. Conversely, selecting the Bass Booster setting may require a lowering of volume. Conventional wisdom notwithstanding, when applied judiciously some of the settings are very useful with little or no penalty to overall SQ.