chesebert
18 Years An Extra-Hardcore Head-Fi'er
- Joined
- May 17, 2004
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ah..the end of the journey. It's been long (started back in 99 with my 1st pair of SR80), fun, and educational.
Some get to the end by getting the most expensive headphone rig. Not me
I am done with headphone by getting the Harbeth Monitor 30. I will probably keep the headphone and amp I have, but I am pretty sure I won't spend anymore money on another amp or cans.
I have heard many great headphone setups during the past several yrs. My fav still goes to B52 with balanced R10 (its pretty magical). BUT that setup doesn't hold a candle against M30 driven by Ayre sourced from Saturn. I have for the first time in my audio journey truly enjoyed Mahler in all its glory much like when I heard it at the concert. The feeling of being right there at the concert hall, the layers upon layers of soundstage/imaging, the thunderous roar of the finale is something no headphone setup can ever reproduce; neither can headphone ever produce the intimacy of the small jazz club, the illusion of a person standing in the room and singing, nor the feeling of 'inviting' the violin virtuoso into your room for a performance.
So with great sadness (no headphone can ever make me happy now) and great joy, I came to the end of my journey. I am sure you all will reach your end of the journey in time, so enjoy the process
P.S. for reference, I did find BW 802D produced Mahler with a greater force; subbass was clearly felt and 802D portrait the venue with convincing scale, although Harbeth went down to 30hz with no problem (-7db), but sadly 25hz are at least 15db down and can't be felt. Problem with the 802D is the imaging/layering/soundstage. It's not as good as the M30. The instrument on 802D doesn't layer like M30, and the timber of the instrument doesn't sound as real as on the M30.
Some get to the end by getting the most expensive headphone rig. Not me
I have heard many great headphone setups during the past several yrs. My fav still goes to B52 with balanced R10 (its pretty magical). BUT that setup doesn't hold a candle against M30 driven by Ayre sourced from Saturn. I have for the first time in my audio journey truly enjoyed Mahler in all its glory much like when I heard it at the concert. The feeling of being right there at the concert hall, the layers upon layers of soundstage/imaging, the thunderous roar of the finale is something no headphone setup can ever reproduce; neither can headphone ever produce the intimacy of the small jazz club, the illusion of a person standing in the room and singing, nor the feeling of 'inviting' the violin virtuoso into your room for a performance.
So with great sadness (no headphone can ever make me happy now) and great joy, I came to the end of my journey. I am sure you all will reach your end of the journey in time, so enjoy the process
P.S. for reference, I did find BW 802D produced Mahler with a greater force; subbass was clearly felt and 802D portrait the venue with convincing scale, although Harbeth went down to 30hz with no problem (-7db), but sadly 25hz are at least 15db down and can't be felt. Problem with the 802D is the imaging/layering/soundstage. It's not as good as the M30. The instrument on 802D doesn't layer like M30, and the timber of the instrument doesn't sound as real as on the M30.