It is done! I've finally soldered some caps to something! LOL
Here's the stuff nobody tells you - I had to figure it out on my own...
Within two seconds of touching the soldering iron to the pin, the pin got so hot, it melted the surrounding plastic and pushed out the far side. Doh!
I had it set to 400C, so I bumped it down to 200C, but that wasn't hot enough to desolder the lead from the damaged pin.
So, I tried 300C - just right!
That's what she said! (Goldilocks, that is!)
So, here's my 3rd attempt, this time, with shorter leads:
The soldering went surprisingly well.
Scotch Tape is my friend!
(To hold stuff where I want it.)
You can't tell from this angle, but the pins are clear of solder - it's only wrapped around the base of the pins.
Maybe I can actually solder stuff after all! LOL
And here they are installed underneath the Burson V5 Duals, in my iBasso PB2, with 4x LME49990 as buffers:
And the sound is most definitely improved! I find this so hard to believe, given how thrilled I've already been with the Burson V5 Duals - nine days and counting.
I'd say the biggest difference the caps make is in improving dynamics. Going back to having no caps sucks some life out of my most dynamic recordings. It's not subtle, but it's not night and day, either. It is readily detectable, though - especially with tracks having momentary signals that demand a lot of power, like drum hits. And the bass is more tightly controlled - as evidenced with any textured electronic bass (Daft Punk, Hans Zimmer, etc.) But acoustic bass is better, too. My HD800 loves the Burson V5s with caps!
Here's a shot taken before I added the caps:
Tidal HiFi and Onkyo HD Player > iPod Touch 6 > Zeskit rt. angle Lightning -to- USB A cable > Oppo HA-2 Line Out > Cardas HPI (Litz wire) rt. angle 3.5mm interconnect > iBasso Pelican PB2 with Burson 2x V5 Duals in I/V and 4x LME49990 as buffers, on High Gain, balanced out > Toxic Cables Silver Poison > Sennheiser HD800
I've been listening to music instead of finishing this post, but now I want to gush about how great this sounds.
The noise-free nature of battery power has a lot to do with the success of this rig, I'm sure, but it starts with how the iPod Touch 6 is dead silent. I've been using it and, previously, an iPad 3 as my source for my desktop rig, too - pulling digital out of them has made them my favorite source - better than my laptops, for sure. The Oppo HA-2 supports Hi-Res files from iDevices without the need for a CCK and USB receiver. The HA-2's ES9018K2M DAC implementation is amazingly transparent and detailed. The treble is well separated and clean, with none of the brittle edginess the HD800 so readily discerns with lesser DAC/amp combinations. It has none of the glare I can hear with the Oppo HA-1's ESS9018 DAC - which the HD800 hates.
The soundstage and imaging are crazy good - definitely a benefit of using the Burson V5 Duals - much, much better than I've heard with LME49990, OPA1612, Muses 02, or anything else I've tried in the PB2 I/V stage.
Detail is through the roof, but not at all sibilant or fatiguing. Even before adding the caps, I would have said the bass is amazingly tight and deep - not what most people associate with the HD800, but now it can absolutely
growl, with lots of texture and speed. It still sounds like an HD800, not something a true bass head would want, but the bass is at an energy level that I like - very natural - realistic.
The dynamics are stunning, with drum hits having lots of bite. This is something I can't get from my Metrum Acoustics Octave MkII and Aurix stack - which really has me scratching my head - that a portable rig could sound so good. Vocals are natural sounding. Drums, piano, and acoustic guitar are all so "real." (Thank you, Burson!) Oh, and cymbals - they are so delicately and naturally defined that I've come to really enjoy them as never before. (They sound like real cymbals instead of like rubbing two blocks of Stryofoam together.)
Despite the awesome resolution, this rig remains
versatile - not nearly as unforgiving of less than ideal recordings as I would expect for so highly resolving and transparent a DAC and amp combo. The more I listen to this rig, the more I cannot believe it's happening. I've had the Burson V5 Duals for nine days now, and the honeymoon is only getting more passionate! Everything else I have to do with my time, going to work, running errands, whatever life demands, has become a distraction to getting back to the pleasure of enjoying this rig. (I took the day off from work to get the soldering done, because I was too busy with other domestic stuff over the weekend! LOL)
I've rolled many combinations of op-amps through the iBasso PB2 over the past few years, but nothing has hit me over the head like these Burson V5 Duals, in combination with all the other pieces of this rig - and adding the caps has just kicked it up even more.
I took it to work with me last Friday (with the caps not yet applied) and spent about twenty minutes in a quiet conference room, with each of two co-workers, pulling up their favorite tracks with Tidal HiFi, in addition to playing several of my favorites. They were both slack-jawed with awe. And these are guys with whom I've demo'd some of my previous portable rigs, over the years.
I'm almost ready to stop asking myself that ever-present question: Does it get any better than this?
Next step: Get some holes machined into the top of a spare PB2 case I ordered from iBasso, so that the Burson V5's can stick out - like a blower through the hood of a muscle car.
OK, that's enough gushing for now.
Thanks for your trailblazing efforts, pelopidas. And thanks to Michael V, too - for getting me sorted out on which pins to solder.
Joy!
Mike