50Hz
New Head-Fier
- Joined
- Dec 18, 2013
- Posts
- 26
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- 13
double post
A good EQ makes fixing frequency response issues so easy, I'm really surprised more people don't use them.
I'm not sure I agree that a colored amp is the best solution, although it may be an inexpensive one. I haven't heard the hdvd800 amp, and potkettleblack doesn't mention what his source was, but the consensus with the HD800 seems to be that it is both very revealing of source and amp. My HD800's are still relatively new to me, but my initial impressions with my old DACMagic was that sometimes I could tame the recording by using my Woo amp, but since switching to the DA8 as a source so far I much prefer sticking with the GS-1, even for recordings that I've always thought of as bright. That tells me that the source was to blame, not the HD800's.
On the other hand, has anyone NOT had the experience of hearing live music that was ear-piercingly bright? Totally dependent on the genre and venue, but I'd say that has been my experience quite regularly so I'm somewhat of the opinion that us trying to 'tame' these recordings is for our own pleasure, not because it is more realistic.
+100
Headphones are not trying to replicating the sound of a live band though. They are trying to replicate the sound the recording engineer want's you to hear. This is the sound of speakers in a control room which is neither bright nor dull but a balanced sound.
I would, but I'm terrible at it and am never satisfied with the equalizer I make. For me, it's easier to buy an amp that changes the response and makes the soundstage/imaging more accurate at the same time. Also it reduces distortion, which can be relevant for high frequencies where it is higher.
I'd like to stop here before saying things I don't want to say.
If I could EQ decently I probably would've just gone that route. I was in need of a better amp since I was using an O2 and selected my HA200 based on impressions that it increased body on the HD800 without altering the neutrality too much. While it is a bit forward and a small amount of width was lost, everything else was improved. I'm satisfied with it. Just need a good DAC now.I'm not sure I agree that a colored amp is the best solution, although it may be an inexpensive one. I haven't heard the hdvd800 amp, and potkettleblack doesn't mention what his source was, but the consensus with the HD800 seems to be that it is both very revealing of source and amp. My HD800's are still relatively new to me, but my initial impressions with my old DACMagic was that sometimes I could tame the recording by using my Woo amp, but since switching to the DA8 as a source so far I much prefer sticking with the GS-1, even for recordings that I've always thought of as bright. That tells me that the source was to blame, not the HD800's.
On the other hand, has anyone NOT had the experience of hearing live music that was ear-piercingly bright? Totally dependent on the genre and venue, but I'd say that has been my experience quite regularly so I'm somewhat of the opinion that us trying to 'tame' these recordings is for our own pleasure, not because it is more realistic.
Well I'm just genuinely un-knowledgable and unskilled with equalization. If I could make a smooth, accurate parametric EQ I would. All the equalizers I make just sound like a poorly engineering version of the original product, LOL.I would, but I'm terrible at it and am never satisfied with the equalizer I make. For me, it's easier to buy an amp that changes the response and makes the soundstage/imaging more accurate at the same time. Also it reduces distortion, which can be relevant for high frequencies where it is higher.
But if you EQ, you can focus more on an amp that increases soundstage and lowers distortion and less on an amp that fixes whatever frequency response problem you have. EQing prevents you from having to limit your options to specific bright/dark amps (depending on the headphone) and gives you more options. Plus, you can more accurately deal with that 6kHz (or whatever) spike instead of broadly reducing the whole treble range with an amp.
I can understand the plight of never being satisfied which leads to unlimited tweaking, though.
Hi, as a newcomer to the HD800 club, I have started thinking about amps. I currently drive mine through a Chord Hugo. Is there any benefit to adding a separate amp, such as the Lehmann Black Cube Linear, as apparently this is considered a demo amp by Sennheiser?
Or, just stick with the Hugo? It seems to drive them ok, but have never heard the HD800 with anything else.
Hi, as a newcomer to the HD800 club, I have started thinking about amps. I currently drive mine through a Chord Hugo. Is there any benefit to adding a separate amp, such as the Lehmann Black Cube Linear, as apparently this is considered a demo amp by Sennheiser?
Or, just stick with the Hugo? It seems to drive them ok, but have never heard the HD800 with anything else.
Hi, don't really have a fixed budget yet, but if like the amp to be physically compact (ish) as it needs to fit on a desk - hence to the Black Cube idea. The Hugo is good as I use it elsewhere on various systems at the moment. It's a versatile piece of kit.