[Kheadfi]

  I actually think that I can hear when compression is applied or at least when it is used too much.
 
I do not think that this Sound Liaison album has any or if so at least very very little compression applied. It is simply 3 musicians who has played together for years and adjust their levels
 to each other...nobody plays too loud...it is that simple.
 
 
 

 
 

   
The theoretical max for the Redbook format is much higher than any of that; for instance this waveform is DR58.

To protect my ears I think I will go for the Sound Liaison approach

 

[RRod]

   
 
To protect my ears I think I will go for the Sound Liaison approach

 
Worry not. The unit impulses don't deliver enough energy to sound like anything but a small click. Just shows how this measurement, like most others, can be gamed a bit.

 

[christian u]

phew..........

   
Worry not. The unit impulses don't deliver enough energy to sound like anything but a small click. Just shows how this measurement, like most others, can be gamed a bit.

 

[christian u]

here another musically great but way too hot mastered album;
Richard Bona; 10 Shades of Blues

 

[christian u]

  I actually think that I can hear when compression is applied or at least when it is used too much.
 
I do not think that this Sound Liaison album has any or if so at least very very little compression applied. It is simply 3 musicians who has played together for years and adjust their levels
 to each other...nobody plays too loud...it is that simple.
 
 
 
 http://www.soundliaison.com/
see Rad Bennett's review;

 

  That seems to make sense. I remember reading somewhere that under ideal conditions, the theoretical maximum for CDs (16 bit) would be DR98. I wonder at what dynamic range the background noise starts becoming intrusive in music.
 

   
 
To protect my ears I think I will go for the Sound Liaison approach

This is how they do it;

 As they are not ''separated'' by the headphones, the musicians, in order to hear each other are forced to create a natural and musical balance, a balance which is then easily captured by the main stereo pair of microphones. Because of the natural and musical balance the need for compression to control levels is no longer necessary. Since everybody is in the same room, the boxed sound which is so common in many modern recordings is absent and the sound of the room helps ''glue'' the sound of the recording.

 

[Kheadfi]

   
This is how they do it;

Just like a classical music recording.

 

[Kheadfi]

for prog rock this is pretty good;

 

Opeth

Pale Communion

2014

12​

10​

14​

lossless

CD

 

[christian u]

So the new Adele album does come with acceptable D.R. but only on LP, where is the 96/24 master download?
Quote:

 

Artist	Album	Year	DR	DR min	DR max	Codec	Source
Adele	25 (96/24 LP Needle Drop)  i​	2015	11​	09​	12​	lossless	Vinyl
Adele	25  i​	2015	05​	04​	08​	lossless	CD
Adele	25  i​	2015	11​	09​	12​	lossless	Vinyl
Adele	25	2015	05​	04​	08​	lossless	CD
Adele	25 (Target Edition)  i​	2015	06​	04​	08​	lossless	CD
Adele	25 (Target deluxe edition)  i​	2015	06​	04​	08​	lossy	CD
Adele	25 (Mastered for iTunes)  i​	2015	06​	04​	08​	lossy	Download
Adele	25	2015	05​	04​	08​	lossless	Download

 

[christian u]

Actually it is crazy considering she has her ''own'' label;

 XL Recordings is a British independent record label which was launched by Nick Halkes, Tim Palmer and Richard Russell with Beggars Banquet Records in 1989 to release its rave and dance music. The label has grown into one of the most commercially successful and influential independent record labels in the world. They operate across a range of genres. British singer Adele is signed to the record label. It is her primary record label, being that it is based in her home country (the United Kingdom), although she is also signed to Columbia records which distributes her music in the United States.

 

[Beyakusenn]

  Actually it is crazy considering she has her ''own'' label;

Well, Loudness still sells best. For Vinyl people use the volume knob correctly so the engineers have more freedom in their mastering. With CD ripped digital files, the average consumer wants the music to be as loud as the rest of his/her music library, so dynamic range compression is unavoidable.
Artists want as many people as possible to like their music and for now, loudness reigns supreme. That might change if the legislation changes (limiting the RMS output and not the peak output for example).

 

[christian u]

Here is the audio legend Bob Katz on the subject;
 

 

[Kheadfi]

How come that the old CD version of ''Gaucho'' scores better than the Hi -Res 24/96 downloads?
http://dr.loudness-war.info/album/list?artist=&album=Gaucho

 

[RRod]

  How come that the old CD version of ''Gaucho'' scores better than the Hi -Res 24/96 downloads?
http://dr.loudness-war.info/album/list?artist=&album=Gaucho
 

 
Could just be the hi-res is a bit more compressed. Do you have access to both versions?

 

[Beyakusenn]

  How come that the old CD version of ''Gaucho'' scores better than the Hi -Res 24/96 downloads?
http://dr.loudness-war.info/album/list?artist=&album=Gaucho

The format of the files is not related ti the dynamic range compression in the music. No matter what the digital file format is, the master will always have a significant influence on the quality of the music.

 

[christian u]

So they have remastered the old master and put on more compression?