ch96066
New Head-Fier
- Joined
- Jul 20, 2012
- Posts
- 15
- Likes
- 10
This is my first post. I would like to say hi to everyone here who make head-fi a very useful fountain of knowledge.
I am newbie in sound appreciation. I am trying to ascertain/understand what is the purpose of our endeavour. I realise that to its core it has to do something with music appreciation and elevating through sound.
If this is the goal, is then the strategy to try and bring/capture in our ears what the artist created in the closest possible fidelity of the produced sound?
Or are we to try and create with our own 'medling' (equalising, amplifying etc.) a soundscape that 'works' for us?
I would lean towards the first path personally. Then my question would then be: how does one achieve that? So far I have realised that the format of the music file is key (listening to wav vs a 320 mp3 in the same system and volume was eye opening).
After that, if everything that we put in the way of the sound alters it somehow, is there a way to track this change and then in our cans to bring it back to its intended 'form'?
I understand that this is a very generic subject. These are just some thoughts questions after reading a few very interesting threads and trying to understand critical listening a bit more.
Thank you for your thoughts/insights.
I am newbie in sound appreciation. I am trying to ascertain/understand what is the purpose of our endeavour. I realise that to its core it has to do something with music appreciation and elevating through sound.
If this is the goal, is then the strategy to try and bring/capture in our ears what the artist created in the closest possible fidelity of the produced sound?
Or are we to try and create with our own 'medling' (equalising, amplifying etc.) a soundscape that 'works' for us?
I would lean towards the first path personally. Then my question would then be: how does one achieve that? So far I have realised that the format of the music file is key (listening to wav vs a 320 mp3 in the same system and volume was eye opening).
After that, if everything that we put in the way of the sound alters it somehow, is there a way to track this change and then in our cans to bring it back to its intended 'form'?
I understand that this is a very generic subject. These are just some thoughts questions after reading a few very interesting threads and trying to understand critical listening a bit more.
Thank you for your thoughts/insights.