Maybe this post was missed? I dident receieve alert of gregorios post last sunday. Shows data errors acure but has maybe something to do with the maintanence of site.I don't think you watched the video because it doesn't talk about that at all. It's talking about reconstruction errors which becomes noise during reconstruction. This error happens for all digital audio. The case it's making for 192kHz audio makes sense - less aggressive filters can be used if your bandwidth is 192kHz to prevent the filters for leaking over to the audible range.
No, nothing is perfect except digital: it either is all right, or all wrong. That's why CRCs exist - if it's wrong, you let the sender know so they resend.
Are you being daft on purpose?
No it doesn't - there's a buffer. Ethernet does not work in real-time. No digital signals can work instantaneously since there's discrete time for information sent. In fact, for low-latency applications, that actually is a problem.
https://www.presonus.com/learn/technical-articles/Digital-Audio-Latency-Explained
Also, you're misapplying what the video is talking about completely, so that's a complete non-sequitur.
Did you watch the video? Doesn't talk about transfer at all - he's assuming that the data has already arrived perfectly, and is talking about reconstruction.
I actually watched his other videos, and they seem to be fairly objective and accurate. Some of the titles are a bit out there, but the explanations themselves are quite rational. Was there anything of him that contradicts this?
Old post below
Some more why it can sound different.
Also i think this has something to do with it. Inspired by tellurium q cable aproach. Basicaly the chemical mixture on atom level in signal path can influence the electricitys movement influencing sound. If i understand it right.
https://telluriumq.com/our-focus/
"When Tellurium Q® was set up the focus was primarily on the idea of phase distortion and minimising this problem inherent in all cabling, whoever makes them and wherever and however they are made. The reason it is a problem is simple, all materials (not just cables) in the path of a signal will act as an electronic filter according to the definition in the box below, whether you want it to or not. This is undeniable. It is obvious from research that there is an impact of the “naturalness” of vocals for instance.
We think about cables as a filter as outlined by its scientific definition and not necessarily as something being “filtered out”, like with a mechanical sieve. According to Bell labs way back in 1930 working on phase distortion and its impact on speech, they found that when comparing a system that had negligible phase distortion with one that had, “it is noticed that the distorted speech is accompanied by certain audible effects which appear to be extraneous to the speech and transient in character”.
This is the definition of an electronic filter:
“A filter is an electrical network that alters the amplitude and/or phase characteristics of a signal with respect to frequency. Ideally, a filter will not add new frequencies to the input signal, nor will it change the component frequencies of that signal, but it will change the relative amplitudes of the various frequency components and/or their phase relationships.”
Source: National Semiconductor Corporation
N.B. This is true of all speakers, amplifiers, DACs, CD players, cables etc…in fact anything in the signal path.
Once you accept the fact that your audio system is acting as multiple electronic filters smudging your music, then you have a choice:
a. Forget the cable is an electronic filter (completely in the face of science) and compromise by having a smeared sound or
b. Do something about it and try to engineer as clear a path for the signal as possible to get the most natural sound that current technology will allow. Although it is not possible to get perfect signal reproduction with current technology (that we are aware of) to completely negate the effect of capacitance, induction etc on phase relationships in a signal."
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