bong
Headphoneus Supremus
- Joined
- Jan 9, 2003
- Posts
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- 10
heh... don't ask how i got the album, all i'm saying is that i WILL be buying it anyway, both US and UK versions for that matter because of different tracklistings...
i'm typing this as i listen through the entire album, so my notes do not have foresight of later songs!
1. Lost
a monster of an opener. the song slowly builds up to an angry stormer, with Robert's finest singing yet. he's never sounded as angry and impassionate on record.
2. Labyrinth
kinda reminds me of an really agressive "The Snakepit," with treated vocals, a fuzzy bassline, hypnotic drumming and swirling guitars. Robert's vocals goes to normal (without effects) past a short middle break and sings with vigor about various things gone wrong and not knowing someone anymore.
3. Before Three
a nice heavy song, could be a Single potential (if the "F" word is edited out). Robert sings about days gone by with a deliciously sublime chorus.
4. The End of the World
the first single, and my introduction of the new project, could be the most Radio Friendly one on the album. the song is nice enough, but not particularly gripping or catchy. i like it better this time around, but the handclaps still sounds like it's been sampled from "Bettie Davis Eyes."
5. Anniversary
slow tempo song with fuzz bass, spare piano, synth keyboard chords, and general melancholia. i like it...
6. Us or Them
heavy, hard, and angry, with Robert singing the most spiteful lyrics since "The Kiss" or "Open." i have to say up to this point on the album, i am truly amazed with most of Robert's vocal performances. he hasn't sung like this in years... as for the song... it's okay...
7. Alt.End
sounds like a straight-ahead rocker, singing about The End. it's alright...
8. (I Don't Know What's Going) On
another Single potential, with the most downright lovey-dovey lyrics on the album so far. sounds pleasant enough for radio airplay, also the fact that it's just shy of three minutes.
9. Taking Off
another Single potential. really upbeat sounding pop-song with nice acoustic guitar strumming. the lyrics are almost as lovey-dovey as "(I Don't Know What's Going) On," about breaking the mundane when he's with the person he's singing the song to. the style of the song is very similar to the b-side "A Pink Dream," which is absolutely on of The Cure's best pop songs. "Taking Off" runs just over the three minute mark.
10. Never
another straight-ahead rocker. by the end of the song, Robert's screaming that the person he's singing about will never be in love with some girl. its... ehh...
11. The Promise
the epic album closer, at least on this version of the album. Spiteful and Angry with soft/loud spurts and lots of noisy guitars, makes a great clincher with "Lost." easily the longest song on the album, clocking at just over ten minutes.
so far, a very good first impression. the album as a whole is loud, heavy, and aggressive. it's also very solid and consistant. the funny thing is, it's unmistakable Cure but also very un-Cure-like; it sounds like the band is totally embracing a new direction, and is careful not to use rehashed Cure elements, something "Bloodflowers" relied on. where "Bloodflowers" almost bordered on nostalgia (although i still love the album), "The Cure" sounds fresh and new. i wonder how this album will grow on me for the following months.
i'm typing this as i listen through the entire album, so my notes do not have foresight of later songs!
1. Lost
a monster of an opener. the song slowly builds up to an angry stormer, with Robert's finest singing yet. he's never sounded as angry and impassionate on record.
2. Labyrinth
kinda reminds me of an really agressive "The Snakepit," with treated vocals, a fuzzy bassline, hypnotic drumming and swirling guitars. Robert's vocals goes to normal (without effects) past a short middle break and sings with vigor about various things gone wrong and not knowing someone anymore.
3. Before Three
a nice heavy song, could be a Single potential (if the "F" word is edited out). Robert sings about days gone by with a deliciously sublime chorus.
4. The End of the World
the first single, and my introduction of the new project, could be the most Radio Friendly one on the album. the song is nice enough, but not particularly gripping or catchy. i like it better this time around, but the handclaps still sounds like it's been sampled from "Bettie Davis Eyes."
5. Anniversary
slow tempo song with fuzz bass, spare piano, synth keyboard chords, and general melancholia. i like it...
6. Us or Them
heavy, hard, and angry, with Robert singing the most spiteful lyrics since "The Kiss" or "Open." i have to say up to this point on the album, i am truly amazed with most of Robert's vocal performances. he hasn't sung like this in years... as for the song... it's okay...
7. Alt.End
sounds like a straight-ahead rocker, singing about The End. it's alright...
8. (I Don't Know What's Going) On
another Single potential, with the most downright lovey-dovey lyrics on the album so far. sounds pleasant enough for radio airplay, also the fact that it's just shy of three minutes.
9. Taking Off
another Single potential. really upbeat sounding pop-song with nice acoustic guitar strumming. the lyrics are almost as lovey-dovey as "(I Don't Know What's Going) On," about breaking the mundane when he's with the person he's singing the song to. the style of the song is very similar to the b-side "A Pink Dream," which is absolutely on of The Cure's best pop songs. "Taking Off" runs just over the three minute mark.
10. Never
another straight-ahead rocker. by the end of the song, Robert's screaming that the person he's singing about will never be in love with some girl. its... ehh...
11. The Promise
the epic album closer, at least on this version of the album. Spiteful and Angry with soft/loud spurts and lots of noisy guitars, makes a great clincher with "Lost." easily the longest song on the album, clocking at just over ten minutes.
so far, a very good first impression. the album as a whole is loud, heavy, and aggressive. it's also very solid and consistant. the funny thing is, it's unmistakable Cure but also very un-Cure-like; it sounds like the band is totally embracing a new direction, and is careful not to use rehashed Cure elements, something "Bloodflowers" relied on. where "Bloodflowers" almost bordered on nostalgia (although i still love the album), "The Cure" sounds fresh and new. i wonder how this album will grow on me for the following months.