The composer remains as he was from the start and now is.....also for the next few years...don't worry
(AA certainly doesn't follow the trend of .....or.... )
So my last track with my composer for today....something calming for a change
(I already had enough fun today with him )
I’d like to express my gratitude to Uncle Wilson from Jaben Singapore for providing me with the opportunity to demo the Austrian Audio Composer headphones.
I primarily used desktop systems for the listening sessions, specifically the Onix Miracle and the Schiit Bifrost / Phatlab Rasa.
Interestingly, the Composer, which is renowned for its neutral, detailed sound and wide soundstage, exhibited a warmer, more analog character when paired with the Bifrost/Rasa. This was a stark contrast to the sound produced by the Onix Miracle setup. The sound became more relaxed and inviting, with a softer sub-bass that didn’t compromise on depth.
What stood out to me was the Composer’s remarkable ability to enhance and adapt to different sources. It was akin to uncovering a new spectrum of colors within the same painting—familiar, yet refreshingly distinct.
I’d like to express my gratitude to Uncle Wilson from Jaben Singapore for providing me with the opportunity to demo the Austrian Audio Composer headphones.
I primarily used desktop systems for the listening sessions, specifically the Onix Miracle and the Schiit Bifrost / Phatlab Rasa.
Interestingly, the Composer, which is renowned for its neutral, detailed sound and wide soundstage, exhibited a warmer, more analog character when paired with the Bifrost/Rasa. This was a stark contrast to the sound produced by the Onix Miracle setup. The sound became more relaxed and inviting, with a softer sub-bass that didn’t compromise on depth.
What stood out to me was the Composer’s remarkable ability to enhance and adapt to different sources. It was akin to uncovering a new spectrum of colors within the same painting—familiar, yet refreshingly distinct.
Did you notice if the sound has improved after 100-200 hours? When I tried them at local audio shop I forgot to ask how many hours they've been used. Looking forward to hear them for much longer in July at CanJam London.
Good to know. This is in line with my experience with every new headphone. No burn in effects obsereved or measured. Since the suspension of the membrane is mechanical (a material that flexes thousands of times per second) there must be some theoretical burn in effect, but either it lasts very shortly (one hour contains many millions of oscillations of the membrane), or it comes as a very subtle effect (non audible or measurable).
Good to know. This is in line with my experience with every new headphone. No burn in effects obsereved or measured. Since the suspension of the membrane is mechanical (a material that flexes thousands of times per second) there must be some theoretical burn in effect, but either it lasts very shortly (one hour contains many millions of oscillations of the membrane), or it comes as a very subtle effect (non audible or measurable).
That's what I belkef too. It's more the brain that burns in. You can prove this by changing quickly from one headphone to another . Sometimes you think, the sound of the second one is horrible in comparison, but after a few minutes you get used to it and enjoy it. Music is made in our brain, more than we like to accept.
That's what I belkef too. It's more the brain that burns in. You can prove this by changing quickly from one headphone to another . Sometimes you think, the sound of the second one is horrible in comparison, but after a few minutes you get used to it and enjoy it. Music is made in our brain, more than we like to accept.
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