Thought it best to start a thread for the Shimin Li & Tangzu IEMs in general.
Here are my impressions of the Shimin Li cross-posted from the Discovery thread:
Source: RU6 (NOS, high gain), balanced UPOCC cable, Whizzer ET100 tips
Tonality: warm-neutral
Strengths: wide soundstage, great imaging and separation, midrange well textured, bass extension (very well executed with a subtle but appreciable midbass lift), timbre
Weaknesses: resolution (acceptable to good), note definition is on the softer side, maybe more air needed?
Genre stengths: vocals & instrumental but suprisingly versatile thanks to solid bass extension and presence
vs Chu: more dimensional vs the flat image of Chu, warmer with more natural noteweight (big issue with Chu), better timbre, less air and teble detail, better male & female vocals (IMO Chu has too much breath and not enough body), better low Hz dynamics (Chu seemed a little tight and restrained)
vs CRA+: wider staging with better imaging and separation, similar forward vocal positioning but comes across less dry and artifical, with a warm 'natural'/neutral hue with less upper mids/lower treble emphasis
My verdict:
The Shimin Li does neutral right (i.e. I feel it's close to my neutral), it keeps the spectrum balanced with a well extended low end and a controlled gain and upper midrange. Some may want more uppermid/lower treble excitement but that would inevitably detract from its natural tonality. There is solid argument that we need just a little more high end extension but the lack of it is forgiveable for the price. We have a warm-leaning midforward single DD with very good technical ability. It manages a 'musical reference' presentation very well and sets itself apart from it's more 'exciteable' brethren released recently. Had this released many months ago before I began my search for a 'musical reference' tuning I would have saved alot of money.
If you're looking for single DD that's musical, honest and transparent with a hint of romantic warmth this is it. If you're looking for something similar to an Etymotic-style/DF tuning (with more bass) but are put off by their deep insertion (and are not strictly after ultimate resolution) this would be my default recommendation.
Tonal comparisons graphed for visualisation. Please interpret across all axes.
Here are my impressions of the Shimin Li cross-posted from the Discovery thread:
Source: RU6 (NOS, high gain), balanced UPOCC cable, Whizzer ET100 tips
Tonality: warm-neutral
Strengths: wide soundstage, great imaging and separation, midrange well textured, bass extension (very well executed with a subtle but appreciable midbass lift), timbre
Weaknesses: resolution (acceptable to good), note definition is on the softer side, maybe more air needed?
Genre stengths: vocals & instrumental but suprisingly versatile thanks to solid bass extension and presence
vs Chu: more dimensional vs the flat image of Chu, warmer with more natural noteweight (big issue with Chu), better timbre, less air and teble detail, better male & female vocals (IMO Chu has too much breath and not enough body), better low Hz dynamics (Chu seemed a little tight and restrained)
vs CRA+: wider staging with better imaging and separation, similar forward vocal positioning but comes across less dry and artifical, with a warm 'natural'/neutral hue with less upper mids/lower treble emphasis
My verdict:
The Shimin Li does neutral right (i.e. I feel it's close to my neutral), it keeps the spectrum balanced with a well extended low end and a controlled gain and upper midrange. Some may want more uppermid/lower treble excitement but that would inevitably detract from its natural tonality. There is solid argument that we need just a little more high end extension but the lack of it is forgiveable for the price. We have a warm-leaning midforward single DD with very good technical ability. It manages a 'musical reference' presentation very well and sets itself apart from it's more 'exciteable' brethren released recently. Had this released many months ago before I began my search for a 'musical reference' tuning I would have saved alot of money.
If you're looking for single DD that's musical, honest and transparent with a hint of romantic warmth this is it. If you're looking for something similar to an Etymotic-style/DF tuning (with more bass) but are put off by their deep insertion (and are not strictly after ultimate resolution) this would be my default recommendation.
IEM | Primary characteristic | Secondary characteristic | Tertiary characteristic(s) |
Shimin Li | Forward mids | Detailed | Warm-smooth |
CRA+ | Forward mids | Detailed | Bright |
Chu | Bright | Sharp-detailed | Forward highs |
Tonal comparisons graphed for visualisation. Please interpret across all axes.
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