Longbowman
New Head-Fier
Hi folks,
I've done a lot of reading around on this and other forums and I understand this is a relatively redundant question in its most basic form. That said, I have a hard time finding answers to more specific questions.
I'm looking for phones to accommodate my current, somewhat temporary studio setup. I have HS80Ms and no room treatment -- a modest setup even with treatment, but I'm looking for a mixing tool to help circumvent the lack of treatment, as well as help with the inability to monitor at decent volumes due to the location being shared.
So: phones primarily for mixing and monitoring. I'd like them to be nice to listen on as well, but that's secondary to being accurate and being a good tool for making mix decisions (that will be checked on monitors eventually). I'll probably use them for writing/guitar tracking/etc later at night, though not through mics, so sound bleed isn't a big deal. I'm curious to know how bad it is, in and out though (i.e. someone talking in a room vs you can hear it through walls and vice-versa).
I can't audition them due to a lack of availability. I've considered M50xs (and tried them), Q701/K702's, etc. HD600's are currently on sale here for $350, and DT880/600 for $250.
Important factors:
-Clarity/"realistic soundstage"/transparency -- mixing basics
-Non-fatiguing (they won't be 20 minute reference phones)
-Comfortable (headband bumps don't do well with me -- I tried Focal Spirit Pros and the headband was a dealbreaker)
Secondary:
-At least somewhat pleasurable to listen to music with.
I primarily write/mix orchestral/sound-design type scores, as well as progressive metal (i.e. Opeth, Wintersun, etc). Stuff that tends to be relatively dense with a large amount of tracks.
So TL;DR -- cans for mixing and monitoring first, pleasurable listening second. Preferably not overly fatiguing.
Cans will be going through my Scarlett 18i8 for the time being unless I'm compelled to get something else.
All that said -- any recommendations as to which would be a better match? Is the HD600 worth the extra $100? Does Sonarworks negate any significant difference between these?
I've done a lot of reading around on this and other forums and I understand this is a relatively redundant question in its most basic form. That said, I have a hard time finding answers to more specific questions.
I'm looking for phones to accommodate my current, somewhat temporary studio setup. I have HS80Ms and no room treatment -- a modest setup even with treatment, but I'm looking for a mixing tool to help circumvent the lack of treatment, as well as help with the inability to monitor at decent volumes due to the location being shared.
So: phones primarily for mixing and monitoring. I'd like them to be nice to listen on as well, but that's secondary to being accurate and being a good tool for making mix decisions (that will be checked on monitors eventually). I'll probably use them for writing/guitar tracking/etc later at night, though not through mics, so sound bleed isn't a big deal. I'm curious to know how bad it is, in and out though (i.e. someone talking in a room vs you can hear it through walls and vice-versa).
I can't audition them due to a lack of availability. I've considered M50xs (and tried them), Q701/K702's, etc. HD600's are currently on sale here for $350, and DT880/600 for $250.
Important factors:
-Clarity/"realistic soundstage"/transparency -- mixing basics
-Non-fatiguing (they won't be 20 minute reference phones)
-Comfortable (headband bumps don't do well with me -- I tried Focal Spirit Pros and the headband was a dealbreaker)
Secondary:
-At least somewhat pleasurable to listen to music with.
I primarily write/mix orchestral/sound-design type scores, as well as progressive metal (i.e. Opeth, Wintersun, etc). Stuff that tends to be relatively dense with a large amount of tracks.
So TL;DR -- cans for mixing and monitoring first, pleasurable listening second. Preferably not overly fatiguing.
Cans will be going through my Scarlett 18i8 for the time being unless I'm compelled to get something else.
All that said -- any recommendations as to which would be a better match? Is the HD600 worth the extra $100? Does Sonarworks negate any significant difference between these?