Streaming's Shortcomings
Feb 8, 2016 at 9:10 AM Thread Starter Post #1 of 1

FFBookman

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Streaming's Shortcomings: 
 
If everyone gets their music from streaming?  That is a big problem.
Streaming…
 
  • has no cross promotion with local events or the local economy.
  • has no cross promotion with local unsigned bands.
  • has no direct connection back to the artist.
  • completely ignores the purchasing power of the listener.
  • has a limited and unstable (ever changing) catalog.
  • pays a lower royalty per listener than other performance licenses.
  • is the worst sound quality of all distribution platforms.
  • has no production credits or copyright information.
  • has no writer, composer, or publishing credits.
  • has no human interaction for discovery of new music.
  • assumes genre and style over all else when mixing music.
  • assumes what you liked yesterday morning is what you will like Friday night.
  • avoids selecting album/deep cuts and non-hits nearly as bad as top 40.
  • requires multiple subscriptions (network and provider) to be active and paid up.
  • cannot be rewound and reviewed for additional enjoyment.
  • cannot easily be recorded or mixed into playlists and sets.
  • contains only a low-resolution cover image, not complete artwork.
  • contains no lyrics or artist notes.
  • just got The Beatles this year.
  • requires almost no paid humans to get it to your ears.
 
 
Feel free to add more.
 
 
reposted from http://wfnk.com/blog/2016/02/streamings-shortcomings/
 

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