idk79
New Head-Fier
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- Nov 22, 2011
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I have worked with Spatial for the past year or so. The Spatial HD program ( a proprietary version of Pure Vinyl ) is designed to integrate any speaker system into any room with a flat frequency response. Most of the major problems encountered are in the frequencies 200hz on down, with 100hz on down even more difficult.
Even using the parametric equalization that we do, one constantly runs up against situations ( below 120 hz) where you have a 10db peak or dip right next to the opposite within a 20hz range. These situations require a tremendous amount of equalization which at times can have counter productive results.
With the introduction and advent of the Black Hole, Clayton has, through DSP processing in the Black Hole itself to electronically eliminate the back wall, ( behind the listener), thereby removing the major source low frequency standing waves which play havoc at these frequencies.
If one goes to the Spatial website you will see before and after measurements of the Black Hole in use, these are no joke, these are real, and almost every system we have ever measured has these aberrations.
Even using the parametric equalization that we do, one constantly runs up against situations ( below 120 hz) where you have a 10db peak or dip right next to the opposite within a 20hz range. These situations require a tremendous amount of equalization which at times can have counter productive results.
With the introduction and advent of the Black Hole, Clayton has, through DSP processing in the Black Hole itself to electronically eliminate the back wall, ( behind the listener), thereby removing the major source low frequency standing waves which play havoc at these frequencies.
If one goes to the Spatial website you will see before and after measurements of the Black Hole in use, these are no joke, these are real, and almost every system we have ever measured has these aberrations.