Right? Its just a piece of foam. I begged them that its broken anyway and i want to replace it myself, i just want the foam, nothing else. But no, no replacement parts for IEM are sold.It's not good enough for higher-tier iems like the M9 and Z1R to not be repairable.
Regardless of pricing, I can't believe that they don't make the foams available for replacement.
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Sony XBA-N3AP and XBA-N1AP — Impressions thread
RikudouGoku
Member of the Trade: RikuBuds
Its sad that this seems to be how they are nowadays...not sure if they were better years ago.I owned the IER-M9 and IER-Z1R for quite some time (even though I had bad experience with the XBA-Z5), but they are an insanely greedy company. Not just in the audio department. Cameras, television, gaming consoles, in all aspects. Because I was a fan of them, I try to avoid them now as much as possible
Sony also doesn't want fans or loyal customers, their business is designed to generate new ones
The most similar foam you can buy right now is this.Its just a piece of foam. I begged them that its broken anyway and i want to replace it myself, i just want the foam, nothing else
https://item.taobao.com/item.htm?id=593408096701&skuId=4613490410289

It isnt as dense as the original one though, you could buy those before even on Aliexpress but they are gone now...
Update: I was able to get the housing open fairly easily and i took an mmcx connector from a spare set of fake ie300s I had. I thought doing a test run of soldering on the fake ie300s would prepare me for the real deal with the xban3s. Turns out I was wrong and the off brand mmcx connector was more difficult to solder onto and the wires of the xban3 were a lot more fragile. In the end, I couldn't make it work and get the housing back on but in the hands of a more skilled individual it is certainly doable. Maybe a better option would be to use a pair of shures as the donor for even better future proofing.
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Agree with you, the foam inside the nozzle is the part that I worry the most about on Sony's IEMs, it is a joke that Sony did not design it to be replaceable, even if sending it back to Sony.Right? Its just a piece of foam. I begged them that its broken anyway and i want to replace it myself, i just want the foam, nothing else. But no, no replacement parts for IEM are sold.
RikudouGoku
Member of the Trade: RikuBuds
It IS easily replaceable, all you need is a pair of tweezers and thats it. Thats what makes it worse for them to not help in any way.Agree with you, the foam inside the nozzle is the part that I worry the most about on Sony's IEMs, it is a joke that Sony did not design it to be replaceable, even if sending it back to Sony.
I know it can be replaced, but the official statement from Sony IS NOT, it is a sign that Sony designed it to not be replaced, even with the Sony Customer Service CenterIt IS easily replaceable, all you need is a pair of tweezers and thats it. Thats what makes it worse for them to not help in any way.
With how revenue-focused Sony seems to be now, it's understandable (but not acceptable) how they force the consumer to just suck it up when something breaks and have to buy a new unit. 
MudEnjoyer
100+ Head-Fier
Main reason I use tips with wax guard with Sonys and don't mess with the foam unless strictly necessary.Agree with you, the foam inside the nozzle is the part that I worry the most about on Sony's IEMs, it is a joke that Sony did not design it to be replaceable, even if sending it back to Sony.
Honestly the foam part is such a mess! When mine break I guess I'll just remove it and autoeq it I guess.

To get an idea. This is limited from 1.5 to 8kHz and results in 4 filters.
The problem is that they don't break from one day to the next the decline is in real time so it gets progressively worse but you get used to it.
so you are saying the filters degrate to a point where one can hear a difference in accoustics? How is it audible (treble,bass characteristics)??Main reason I use tips with wax guard with Sonys and don't mess with the foam unless strictly necessary.
Honestly the foam part is such a mess! When mine break I guess I'll just remove it and autoeq it I guess.
To get an idea. This is limited from 1.5 to 8kHz and results in 4 filters.
The problem is that they don't break from one day to the next the decline is in real time so it gets progressively worse but you get used to it.
I guess once the material of the filters show degration that one can hear it- a lot of years have to go by and even if sony would stock replacement filters, they would degrade too in the meantime! so the only solution is to manufacture some filters in 5-10-20 years from now.
I think I knew why I m extra careful with the mmcx connection on these (or any other iem for that matter). especially when using non stock cables on N3 there is a milimeter gap on the edge thats not present with the stock cables.
I always felt this puts unnecessary stress on the connection..
I m just glad I was whise enough to stock up with two brand new spare n3s

I think Sony as company certainly CAN produce very maintainable (audio) gear, case in point is their pro Headphone lineup.
RikudouGoku
Member of the Trade: RikuBuds
The sony filters are VERY dense and such if they degrade a lot (like 50% gone) then they are certainly different, problem would be that since this change is slow and gradual, you shouldnt really notice it unless you have another new unit to A/B with.so you are saying the filters degrate to a point where one can hear a difference in accoustics? How is it audible (treble,bass characteristics)??
As for the effect, damping in the nozzle mainly affects upper-mids/treble with some secondary effect with the bass shelf depending on how dense it is.
In my book its not a problem if it goes unnoticedThe sony filters are VERY dense and such if they degrade a lot (like 50% gone) then they are certainly different, problem would be that since this change is slow and gradual, you shouldnt really notice it unless you have another new unit to A/B with.
As long as the N3 keeps its fantastic supersmooth treble (with zero sibilance) its all good for meAs for the effect, damping in the nozzle mainly affects upper-mids/treble with some secondary effect with the bass shelf depending on how dense it is.

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RikudouGoku
Member of the Trade: RikuBuds
As you can see on the M9, the difference is pretty big and it is definitely nowhere near as smooth as it should be. This is very noticeable, If you AB with something else that did not change.In my book its not a problem if it goes unnoticed
As long as the N3 keeps its fantastic supersmooth treble (with zero sibilance) its all good for me![]()

Ok but i dont think we are anywhere near this level caused by degration. I m still on my first unit and dont notice any unpleasant change in treble region. And again, only solution would be new batch of filters fresh from the factory.As you can see on the M9, the difference is pretty big and it is definitely nowhere near as smooth as it should be. This is very noticeable, If you AB with something else that did not change.
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And the redline in the graph of the m9 is refering to absent filter? I guess it will takes some more decades until you reach the same level with a degraded filter..
RikudouGoku
Member of the Trade: RikuBuds
If you lose about half of the foam due to degradation, thats about 3db change compared to about 6db from being filterless. That is noticeable.Ok but i dont think we are anywhere near this level caused by degration. I m still on my first unit and dont notice any unpleasant change in treble region. And again, only solution would be new batch of filters fresh from the factory.
And the redline in the graph of the m9 is refering to absent filter? I guess it will takes some more decades until you reach the same level with a degraded filter..
Lets worry about this when we get thereIf you lose about half of the foam due to degradation, thats about 3db change compared to about 6db from being filterless. That is noticeable.

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