kramer5150
Headphoneus Supremus
- Joined
- Sep 20, 2004
- Posts
- 14,427
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- 209
I have had these little cans for a couple weeks now and have been posting scattered comments on them. I think I have had them long enough to post some detailed impressions.
First of all, I wouldn't consider this an IEM. Does not isolate enough. It has a little isolation though... somewhere along the lines of an MDRV6 or K240s. So, its not TOTALLY isolating but does a good job of blocking some ambient noise.
I can't recommend it if isolation is your TOP priority. If however youre like me and do not want to be completely shut out of the ambient world then its a good choice. IMHO it blocks out just enough to hear the tunes. Thumbs up in my book.
SUPER comfey!!! BIG thumbs up!! I can't wear IEMs that exert too much pressure on my ear canals. So these fit the bill nicely. Comfort wise they are on par with the Sony EX51, but because they fit more snugly in the ears, they seem to stay planted better.
I also find many IEMs to translate too much "body microphonics" when used portably. I always found the "thump - thump - thump" annoying when I would walk with my e2c and EX51. These EX90s do not isolate enough for that problem to surface.
My only real physical complaint is the one-sided cord. I prefer a symmetric "Y" type cord, so for me this has taken some getting used to.... and at times I still find the cord tugging at the left ear too much. Speaking of cord, the 1/8 TRS plug is the standard super-tiny Sony 90 degree job found on the EX51 and others.
Ive had it for over 2 weeks now... Some 200+ hours, including ~60 hours of loud burn-in. Overal sound signature doesn't seem to have changed too much over time. Treble seems to have resided just a hair. Its not as bright and balances better with mids, but its not night and day.
Compared to KSC75:
Dry, balanced, detailed, fairly quick and snappy. Somewhat distant sounding at times. Doesn't have the ability to thrust forward vocals and instrument solos, or spatially separate sounds as well as the KSC75. Treble spaces itself out nicely in live recordings. Good, useable image and separation for a canalphone. IMage and separation fall short of the KSC75 though (as to be expected for a canalphone).
Bass:
Balanced and plentifull. Not bloated like the KSC75 or e2c. Dry and quick sounding. Decent detail resolution, but nothing to get terribly excited over. Balances nicely with the rest of the spectrum. Bass is bit... blaah... almost boring (IMHO) coming from super-colored Grado/KSC75 land.
Mids:
Dry, some might call it "accurate". Although somewhat lacking in excitement and a little distant sounding. Doesn't thrust vocals forward like a KSC75 or Grado. But at the same time, if you find Grados and KSC75's "shouty" and too aggressive in the upper mids, the EX90 is YOUR kind of sound. It also has some nice separation and distance too. Mids are CERTAINLY not as recessed as the EX51/71. Mids are just a little under-aggressive for my tastes.
Treble: Sparkles, detail, airy... GREAT!!! Similar to the KSC75, but more detailed and a hair less "sizzle". Many complain about the KSC75 treble being harsh and tends to sizzle. The EX90 has the same overall treble balance... Minus the sizzle. Very good treble image separation for a canalphone. VERY "out of head" sounding. Thumbs up on this one for its treble response.
The EX90 is very finicky to source and amplification. I tried it with a variety of amps and a couple different sources and found it dull and boring with my warmer more tame single OP amp circuits - PA2V2, LD Micro, govibe II (OPA2132). I also found it a bit cluttered unamped with my Creative Muvo. Straight out of the little MP3 player is unlistenable. Conjested, cluttered and grainy sounding.
Uping the Amp scale yields some STUNNING results. My more aggressive amps SING with these cans. Amps that make my Grados SHOUT and SCREAM work wonders for the midrange on the EX90. My best amp for the EX90 is my Pimeta (AD823). The VERY colored output and aggressive vocals Breathe new life into the EX90. The Buffered design adds bass thump for transient peaks, and useable sub-bass extension. Treble to my surprise remains smooth, and is in no way piercing, harsh or overbearing.
I have equally good results with my mints (6820). Although the mints seem to lack a bit of the treble detail of the pimeta. Still the mint is a much better EX90-amp than any of my single OP amp circuits, which sound cluttered by comparison. In fairness to the govibe, I was using an OPA2227 and OPA2132. Neither are known to be agressive sounding chips. Im fairly confident different results could be achieved with more aggressive chips.
I got the chance to try Filbutrs Pints with the EX90. My inpressions are nearly the same with the pints. The forward mids help to enhance the EX90 to "very enjoyable" status. Compared to the mint however the pint has added detail and clarity, Pint mids seemed warmest and yet had the most detail to my ears.
Up-ing the source scale also yields some very nice improvements. My (newly acquired) D335 is by far my most detailed, smoothest and spatious sounding portable source. As with the buffered amps, source upgrades really liven up the EX90 mids. Unlike my Creative MP3 player, the D335 has a VERY robust headphone output, and the EX90 sounded good plugged straight into it. It didn't have the dynamics and aggressive midrange of my best amps, but certainly fared better than my warmer single OP amp circuits with the EX90.
PHWEW!!! Did I leave anything out?.... I cant think of anything more to write. Here are some pics of the amps and sources I have been using, and some macro shots of the EX90.
hope some of you find this useful.
Happy Listening!
Garrett
From L-R:
PA2V2, LD Micro, Mint1 (R11 bypassed), Mint2, Pimeta
D335, Creative Muvo. (Not pictured: GoVibe, Rat Shack gold series TRS cable)
First of all, I wouldn't consider this an IEM. Does not isolate enough. It has a little isolation though... somewhere along the lines of an MDRV6 or K240s. So, its not TOTALLY isolating but does a good job of blocking some ambient noise.
I can't recommend it if isolation is your TOP priority. If however youre like me and do not want to be completely shut out of the ambient world then its a good choice. IMHO it blocks out just enough to hear the tunes. Thumbs up in my book.
SUPER comfey!!! BIG thumbs up!! I can't wear IEMs that exert too much pressure on my ear canals. So these fit the bill nicely. Comfort wise they are on par with the Sony EX51, but because they fit more snugly in the ears, they seem to stay planted better.
I also find many IEMs to translate too much "body microphonics" when used portably. I always found the "thump - thump - thump" annoying when I would walk with my e2c and EX51. These EX90s do not isolate enough for that problem to surface.
My only real physical complaint is the one-sided cord. I prefer a symmetric "Y" type cord, so for me this has taken some getting used to.... and at times I still find the cord tugging at the left ear too much. Speaking of cord, the 1/8 TRS plug is the standard super-tiny Sony 90 degree job found on the EX51 and others.
Ive had it for over 2 weeks now... Some 200+ hours, including ~60 hours of loud burn-in. Overal sound signature doesn't seem to have changed too much over time. Treble seems to have resided just a hair. Its not as bright and balances better with mids, but its not night and day.
Compared to KSC75:
Dry, balanced, detailed, fairly quick and snappy. Somewhat distant sounding at times. Doesn't have the ability to thrust forward vocals and instrument solos, or spatially separate sounds as well as the KSC75. Treble spaces itself out nicely in live recordings. Good, useable image and separation for a canalphone. IMage and separation fall short of the KSC75 though (as to be expected for a canalphone).
Bass:
Balanced and plentifull. Not bloated like the KSC75 or e2c. Dry and quick sounding. Decent detail resolution, but nothing to get terribly excited over. Balances nicely with the rest of the spectrum. Bass is bit... blaah... almost boring (IMHO) coming from super-colored Grado/KSC75 land.
Mids:
Dry, some might call it "accurate". Although somewhat lacking in excitement and a little distant sounding. Doesn't thrust vocals forward like a KSC75 or Grado. But at the same time, if you find Grados and KSC75's "shouty" and too aggressive in the upper mids, the EX90 is YOUR kind of sound. It also has some nice separation and distance too. Mids are CERTAINLY not as recessed as the EX51/71. Mids are just a little under-aggressive for my tastes.
Treble: Sparkles, detail, airy... GREAT!!! Similar to the KSC75, but more detailed and a hair less "sizzle". Many complain about the KSC75 treble being harsh and tends to sizzle. The EX90 has the same overall treble balance... Minus the sizzle. Very good treble image separation for a canalphone. VERY "out of head" sounding. Thumbs up on this one for its treble response.
The EX90 is very finicky to source and amplification. I tried it with a variety of amps and a couple different sources and found it dull and boring with my warmer more tame single OP amp circuits - PA2V2, LD Micro, govibe II (OPA2132). I also found it a bit cluttered unamped with my Creative Muvo. Straight out of the little MP3 player is unlistenable. Conjested, cluttered and grainy sounding.
Uping the Amp scale yields some STUNNING results. My more aggressive amps SING with these cans. Amps that make my Grados SHOUT and SCREAM work wonders for the midrange on the EX90. My best amp for the EX90 is my Pimeta (AD823). The VERY colored output and aggressive vocals Breathe new life into the EX90. The Buffered design adds bass thump for transient peaks, and useable sub-bass extension. Treble to my surprise remains smooth, and is in no way piercing, harsh or overbearing.
I have equally good results with my mints (6820). Although the mints seem to lack a bit of the treble detail of the pimeta. Still the mint is a much better EX90-amp than any of my single OP amp circuits, which sound cluttered by comparison. In fairness to the govibe, I was using an OPA2227 and OPA2132. Neither are known to be agressive sounding chips. Im fairly confident different results could be achieved with more aggressive chips.
I got the chance to try Filbutrs Pints with the EX90. My inpressions are nearly the same with the pints. The forward mids help to enhance the EX90 to "very enjoyable" status. Compared to the mint however the pint has added detail and clarity, Pint mids seemed warmest and yet had the most detail to my ears.
Up-ing the source scale also yields some very nice improvements. My (newly acquired) D335 is by far my most detailed, smoothest and spatious sounding portable source. As with the buffered amps, source upgrades really liven up the EX90 mids. Unlike my Creative MP3 player, the D335 has a VERY robust headphone output, and the EX90 sounded good plugged straight into it. It didn't have the dynamics and aggressive midrange of my best amps, but certainly fared better than my warmer single OP amp circuits with the EX90.
PHWEW!!! Did I leave anything out?.... I cant think of anything more to write. Here are some pics of the amps and sources I have been using, and some macro shots of the EX90.
hope some of you find this useful.
Happy Listening!
Garrett
From L-R:
PA2V2, LD Micro, Mint1 (R11 bypassed), Mint2, Pimeta
D335, Creative Muvo. (Not pictured: GoVibe, Rat Shack gold series TRS cable)