Quote:
Originally Posted by Doc Sarvis
My current Shosty set:
24 Preludes and Fugues - Jarrett
Age of Gold Suite - Symphony # 1 Martinon, London Symphony Orchestra
Piano Concerto # 1, Chamber Symphony, Preludes (old bootleg, performer unknown)
String Quartets Emerson String Quartet
Piano Concerto # 2 - Previn LSO
Symphonies 1,7 Bernstein
Symphonies complete 1-15 Kondrashin
Symphonies 6,12Slovak
Symphony # 10 - Karajan
Symphony # 11 Stokowski
Symphony # 14 Swenson
Symphony # 2, Cello Concerto - Blazhkov
Symphony # 5 Bernstein 1959, New York Philharmonic
Symphony # 5 - Bernstein 1979
Symphony # 5, Skrowaczewski
Symphony # 7Slovak
Symphony # 8Litton
Symphony 15, Sonata 2Ormandy
...plus other odds and ends.
What truly notable performances am I missing?
|
Here's my DSCH symphonies collection:
#1 Haitink, Sanderling, Barshai, Lopez-Cobos, Bernstein (twice), Rodzinski
#2 Rostropovich, Barshai
#3 Rostropovich, Barshai
#4 Rozhdestvensky, Barshai
#5 Rostropovich, Jansons, Gorenstein, Barshai, Gergiev, Kondrashin, Bernstein (twice), Maazel, Mravinsky (twice), Wigglesworth, Rozhdestvensky, Jarvi, Ashkenazy, Previn, Horenstein, Mitropoulos, Skrowaczewski, Stokowski (twice), Kertesz, Freccia, Kofman
#6 Bernstein, Kondrashin, Wigglesworth, Haitink, Barshai, Sanderling, Boult
#7 Gergiev, Barshai, Bernstein (twice), Mravinsky, Ancerl
#8 Rozhdestvensky, Mravinsky, Kondrashin, Haitink, Barshai, Sanderling, Slatkin, Jarvi, Levi
#9 Gergiev, Barshai, Jansons, Kurtz, Haitink, Ashkenazy, Kofman, Oistrakh
#10 Barshai, Jarvi, Wigglesworth, Sanderling, Slatkin, Stokowski, Rattle, Berglund
#11 Mravinsky, Rostropovich, Barshai, Stokowski, De Priest, (reviewing Lazarev next)
#12 Jarvi, Barshai
#13 Kondrashin (twice), Rozhdestvensky, Barshai
#14 Wigglesworth, Britten, Rozhdestvensky, Haitink, Jarvi, Barshai (twice)
#15 Sanderling, Haitink, Lopez-Cobos, Dutoit, Ashkenazy, Kondrashin
A couple that you may want to hunt down in particular:
Rozhdestvensky's 4th-- I've fallen behind on 4ths lately. I hear there have been great contributions from Gergiev, Jansons, and Rattle. Whichever one you get, make sure you do get a 4th. It's a bewildering journey-- DSCH's most Mahlerian work, by far-- and it is one of his greatest.
Rozhdestvensky's 8th-- Godawful early digital recording by Melodiya. They imitated DG's boatload-o'-mikes approach, with disastrous consequences; but, Lord, what a committed performance!
Wigglesworth's 14th-- Contrary to the supposition posted earlier in this thread, Wigglesworth is a first rate conductor. I've heard him conduct the Cleveland Orchestra live and found him considerably more inspiring than many more famous names. Slowly but surely, word is getting around about him. Grapevine gossip has it that the BBC Wales orchestra had trouble getting along with him. If he can successfully deal with players in the future, his recording of the DSCH 14th proves he is a force to be reckoned with. If any of the major orchestras looking for a conductor were bold enough to take a risk, Wigglesworth might pay off big time. His DSCH 14th is even better than the recording led by Benjamin Britten- the work's dedicatee.
Sanderling's later 15th-- This is a controversial pick that a lot of people will disagree with. It all depends on what you think the 15th means. If you take it at face value, then Sanderling's later recording (with the Cleveland Orchestra on Erato) will seem lugubrious. But Sanderlin sold me on his approach, which is oppressive... the dreams and visions of a dying man. Sanderling's Cleveland recording is the only one I have heard to date that makes the 15th sound like a plausible successor to the despairing 14th. In the right conductors' hands, these two works emerge as DSCH's greatest two symphonies.