syn_fx
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- Feb 20, 2009
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I've been into portable hi-fi for quite some time, and thought I'd finally get around to writing something about a recent purchase. There are a lot of reviews describing the sonic characteristics of the IE8, describing the lows, mids, and highs - so I won't go into that, and instead will talk only about my impressions .
Short Background:
I'm an economics student in London, UK, in my second year.
My IEM history consists of the Sony EX70s, Etymotic ER-6is, Denon C700s, Phonak PFEs, and now the Senns. I have extensively auditioned a number of cans (inc Grado GS1000s), and quite a few lower end IEMs (through friends).
I play bass guitar in a latin and blues band, and listen to a very broad variety of music ranging from classical, jazz, blues, acoustic, vocal and latin to DnB and heavy metal. My sources are a Sony NW series laptop (with a pretty horrific sound card) and the Sony S639 - a fantastic portable player. My library is in VBR lame from FLAC.
To the impressions:
I decided to get the IE8s following the death of my second pair of PFEs, IEMs that I really liked and found to be significantly better than my previous IEMs.
I originally listened to the PFEs with grey tips and amped through a Fiio E5, but eventually dropped the E5 for practicality. How I didn't find the PFEs with gray tips harsh, I don't know - I rememer trying them unamped when I first got them and wincing - I guess ears adjust over time. I've had the PFEs over 1 year, and they have been put through a lot of use, so I'll be comparing the IE8s to them.
Originally, I heard the IE8s at a friends house, and having listened to them for about 5 minutes, thought that they were horrifically bloated, and lacking detail compared to the PFEs...
However in the end I bit the bullet and got them - after 10 hours my ears have adjusted, and these are my impressions:
The snares and kick drums are insane. Insane. Listening to "Dani California" by RHCP makes you almost wince, but once you adjust, you realise that the track is much more engaging than with the PFEs. You start to forget about the difference in detail, and bop along to the bass line, something that never really happens with the PFEs. The soundstage really is incredible, something every review of the IE8s seems to say, but something that is very difficult to imagine, if you haven't actually heard them.
The bass extends much lower than the PFEs. This can be really seen in the RHCP jam before "Californication" from their Slane Castle gig - Flea's bass powers through as though you were listening to him via speakers, not an IEM. Very satisfying experience.
Gary Moore's "Bad for you Baby" -this track is really harsh with the PFEs, and much, much smoother with the IE8s. Gary's singing is very intimate, as though he is serenading you from 10 inches away.
Nina Simone's "Love me or leave me": I was expecting the bass to be bloated, but is very tight and controlled. Her vocals are smooth and rich, whilest the piano is detailed and well separated from the rest of the mix.
Santana's "Put your lights on" - this track is one of the most impressive through the IE8s - the acoustic guitar is incredibly crisp and detailed, and Santana's lead is exactly as mellow as it should be. Incredible instrument separation.
Overall, with few exceptions, the IE8s are hugely more enjoyable than the PFEs.
For anyone who is considering moving to the IE8s from PFEs - don't let your initial impressions put you off, take the time to audit the two properly if you can. I really can't imagine going back to the PFEs now, (but then I couldn't imagine going for IE8s when I first heard them!). They are after all very different, but for me personally, picking out of the two turned out to be quite easy.
Short Background:
I'm an economics student in London, UK, in my second year.
My IEM history consists of the Sony EX70s, Etymotic ER-6is, Denon C700s, Phonak PFEs, and now the Senns. I have extensively auditioned a number of cans (inc Grado GS1000s), and quite a few lower end IEMs (through friends).
I play bass guitar in a latin and blues band, and listen to a very broad variety of music ranging from classical, jazz, blues, acoustic, vocal and latin to DnB and heavy metal. My sources are a Sony NW series laptop (with a pretty horrific sound card) and the Sony S639 - a fantastic portable player. My library is in VBR lame from FLAC.
To the impressions:
I decided to get the IE8s following the death of my second pair of PFEs, IEMs that I really liked and found to be significantly better than my previous IEMs.
I originally listened to the PFEs with grey tips and amped through a Fiio E5, but eventually dropped the E5 for practicality. How I didn't find the PFEs with gray tips harsh, I don't know - I rememer trying them unamped when I first got them and wincing - I guess ears adjust over time. I've had the PFEs over 1 year, and they have been put through a lot of use, so I'll be comparing the IE8s to them.
Originally, I heard the IE8s at a friends house, and having listened to them for about 5 minutes, thought that they were horrifically bloated, and lacking detail compared to the PFEs...
However in the end I bit the bullet and got them - after 10 hours my ears have adjusted, and these are my impressions:
The snares and kick drums are insane. Insane. Listening to "Dani California" by RHCP makes you almost wince, but once you adjust, you realise that the track is much more engaging than with the PFEs. You start to forget about the difference in detail, and bop along to the bass line, something that never really happens with the PFEs. The soundstage really is incredible, something every review of the IE8s seems to say, but something that is very difficult to imagine, if you haven't actually heard them.
The bass extends much lower than the PFEs. This can be really seen in the RHCP jam before "Californication" from their Slane Castle gig - Flea's bass powers through as though you were listening to him via speakers, not an IEM. Very satisfying experience.
Gary Moore's "Bad for you Baby" -this track is really harsh with the PFEs, and much, much smoother with the IE8s. Gary's singing is very intimate, as though he is serenading you from 10 inches away.
Nina Simone's "Love me or leave me": I was expecting the bass to be bloated, but is very tight and controlled. Her vocals are smooth and rich, whilest the piano is detailed and well separated from the rest of the mix.
Santana's "Put your lights on" - this track is one of the most impressive through the IE8s - the acoustic guitar is incredibly crisp and detailed, and Santana's lead is exactly as mellow as it should be. Incredible instrument separation.
Overall, with few exceptions, the IE8s are hugely more enjoyable than the PFEs.
For anyone who is considering moving to the IE8s from PFEs - don't let your initial impressions put you off, take the time to audit the two properly if you can. I really can't imagine going back to the PFEs now, (but then I couldn't imagine going for IE8s when I first heard them!). They are after all very different, but for me personally, picking out of the two turned out to be quite easy.