@DWbirdseye
just for you:
My copy, a 2010 reissue of Triangle 2 from the French prog rock group Triangle, has unfortunately been pretty badly compressed. Maybe that's how the vinyl is, I sold off all my vinyl, computer audio is where it's at man, so can't really say.
This amusing period piece covers the gamut from the emerging Jazz Rock of the day, to 60s psychedelia, and more typically early 70s progy stuff. It's a fun time capsule, which has some good tracks if you can get into the kitchen sinkish, retro hodgepodge vibe. Recreation is a favorite track, a mostly instrumental in contrast to many of the tracks on the album. In general, the more lit up presentation of the HD800 seems to work against the overly compressed sound, a bonus compared to the youngster. It does come with added graininess compared to the S which is readily apparent in the "AAAAAHHHH" vocals the emerge in various places throughout the track. Overall, on this track, I like the HD800 a bit more as it seems to liven things up relative to S, you just have to put up with the grain factor. And this is interesting because in my earlier writeup, I generally didn't listen to anything that was this dynamically compressed.
For Magma, I chose their '76 classic,
Üdü Ẁüdü, partly because I just wanted type
Üdü Ẁüdü a few times. I like how it sounds and then each time I type
Üdü Ẁüdü, I get to hear the syllables echo in my mind once again. Also a French ProgRock band, this music has stood the test of time much better then the just mentioned euclidian brothers. Elements of Rock, Jazz, Carl Orff inspired Choral music come together in an marvelous coherent whole. on the title track
Üdü Ẁüdü the S does a pretty convincing rendering of the track in all it crazy glory. Starting with the African Jazz intro, the percussion is missing a little bit of punch, but I think that's the recording. The horns come in sounding perfect, hanging in space above the percussion, the S convincingly portrays not just the width of the recording but depth. Then the vocals swing into gear, singing in
Kobaïan a self created language. The male and female spin around eachother in a dizzying display of zany abandon, the S seems to render every nuance of voices perfectly, they soar when they should and growl as appropriate, wow! Switching to older bro, it's nearly as convincing. The track is not especially bright, and the main difference being in the bottom end where a smidge more oomph is heard with the younger dude. Either way, on
Üdü Ẁüdü the listener is in for a thrill!
p.s. not into Voyage, sor !tulas