adydula
Headphoneus Supremus
- Joined
- Dec 14, 2010
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Midgard and Modius with the ESS 9028 dac chip on their way for a good listen and honest write up!
Next week!
Alex
:>)
Next week!
Alex
:>)
On the Modi Multibit 2, does the NOS/OS button control self oversampling within MMB2, or does it only make it receptive to outside oversampling, such as from Audirvana?
Thanks
Hello all.
Welcome! As we're fond of stating on the forum, "sorry about your wallet."Hello all.
So you're suggesting there is 352/384 upsampling inside MMB 2 while in OS mode?Literally turns off any digital oversampling and goes straight to the AD5547 chips. NOS mode allows you to perform external oversampling from Audirvana without resampling it to 352/384 KHz internally
So you're suggesting there is 352/384 upsampling inside MMB 2 while in OS mode?
Nice VPI! and congrats on the Skoll.Happy to be here all, I have been reading and lurking for years, but finally decided to join because this seems like a civilized forum, and there is much conversation on Skoll lately. I just received my Skoll a week ago and from what I can see, I am one of the few using it with a balanced turntable and wanted to offer my thoughts. I am super happy with it so far as it seems to have done three things for me that my Tavish Design Adagio did not. 1) It definitely requires less work from my pre and power amp to sound good in terms of volume and dynamics, 2) it really improved the imaging which surprised me, and 3) it makes the music seem a lot more detailed.
This all surprised me as the Skoll was $1,600 cheaper than the Adagio it replaced, which was also well reviewed by Stereophile. I have since sold the Adagio, and am happier listening to the Skoll, AND came out ahead with money in my pocket! Win-win-win situation. I also have a Mani in my second system if anyone is interested in hearing about Skoll versus Mani in the same system, though that one is obviously a single-ended, not balanced set up.
Otherwise, that is my two cents and I am happy to be here and finally join the conversation!
Happy to be here all, I have been reading and lurking for years, but finally decided to join because this seems like a civilized forum, and there is much conversation on Skoll lately. I just received my Skoll a week ago and from what I can see, I am one of the few using it with a balanced turntable and wanted to offer my thoughts. I am super happy with it so far as it seems to have done three things for me that my Tavish Design Adagio did not. 1) It definitely requires less work from my pre and power amp to sound good in terms of volume and dynamics, 2) it really improved the imaging which surprised me, and 3) it makes the music seem a lot more detailed.
This all surprised me as the Skoll was $1,600 cheaper than the Adagio it replaced, which was also well reviewed by Stereophile. I have since sold the Adagio, and am happier listening to the Skoll, AND came out ahead with money in my pocket! Win-win-win situation. I also have a Mani in my second system if anyone is interested in hearing about Skoll versus Mani in the same system, though that one is obviously a single-ended, not balanced set up.
Otherwise, that is my two cents and I am happy to be here and finally join the conversation!
Sometimes I think I’m that person which may be my budget talking. I enjoy listening to well recorded music over different speakers but I hate shopping for them. Speaking of well recorded music I just bought all the Mahler symphonies with Leonard Bernstein conducting. The first symphony, the only one I’ve performed, was marvelous, you could even make out the differences in the attack on the pizzicato.I met someone once that thought all speakers sounded more alike than different... all of them too far from reality to matter. It was a musician.
I'm not too sure how high-end of a hifi system that person had heard, but they must have heard a lot of different PA systems, some undoubtedly quite good.
But that was one single person. And I've talked sound with something like three or four dozen musicians at this point.
The balanced box for the VPI is totally worth it! I purchased it for that reason to use with the Tavish Adagio when I bought that several years ago, so it's always been a balanced setup. It will make your records sound more pronounced than using it with the regular phono connector, which you can swap back and forth with two screws on the VPI. This is good if you have clean records that have good recording quality, otherwise is is less forgiving than a normal set up with poor or dirty recordings.Nice VPI! and congrats on the Skoll.
I'm tempted to buy the balanced output for my VPI. Did you always run your VPI balanced? I'm curious on how much background hum it reduces.
The re-mastering of that set is superb. My favorite M2 is this one with Lee Venora and Jennie Tourel, and the difficult to pull off 7th (that fifth movement) is, along with Abbado on DG, the best recorded of the whole series I think.Sometimes I think I’m that person which may be my budget talking. I enjoy listening to well recorded music over different speakers but I hate shopping for them. Speaking of well recorded music I just bought all the Mahler symphonies with Leonard Bernstein conducting. The first symphony, the only one I’ve performed, was marvelous, you could even make out the differences in the attack on the pizzicato.