This has been exactly my experience with passive. I don't think I've ever had an ideal amp for a passive pre.
Interestingly I actually really like certain classical recordings in passive mode on my freya N, but almost always prefer active mode for rock/pop. Wonder if that's because the big dynamic swings in classical pieces still come through whereas the smaller gradations aren't as crucial as they might be in a rock/pop recording. Is this what the kids refer to as macrodynamics vs microdynamics?
Or it’s the color or flavor of the gain stage that you prefer.
I agree that Freya S active 1x and 4x has a fuller presentation and passive is a bit drier. The latter could be an impedance loading issue. Hard to tell without a reference.
Very interested in learning about the color of the Kara amplified stages. Having followed Jason I suspect he refined the stages making then more linear. It may be that these stages are actually neutral and only considered fuller/warner as conpared to a drier, non ideally matched pure passive. We shall see.