ArmchairPhilosopher
Headphoneus Supremus
Speaking of PSVane combinations…
A very pleasant and exciting combo especially for orchestral music is a pair of 6SN7-SE in Freya's cathode follower output stage and a pair of CV181-TII in the gain stage.
Very detailed overall, highly accurate staging (quite a bit better than with LISST), and really lush yet still quite fast low end. Just what you need to tickle the most out of French horns, bowed double basses, and an organ or a piano's lower register.
But be warned:
This amount of detail might be waaaaay too much of a good thing for electronica, pop music, and most (classic) rock studio-recordings.
That said, it's pretty decent for live rock, though. The nicer ones of the Dead bootlegs really rock with this, especially Phil Lesh's melodic picking style of playing the bass translates really nicely. And well-produced live stuff like the Allman Brothers' At Fillmore East truly sings with that combo of tubes.
A very pleasant and exciting combo especially for orchestral music is a pair of 6SN7-SE in Freya's cathode follower output stage and a pair of CV181-TII in the gain stage.
Very detailed overall, highly accurate staging (quite a bit better than with LISST), and really lush yet still quite fast low end. Just what you need to tickle the most out of French horns, bowed double basses, and an organ or a piano's lower register.
But be warned:
This amount of detail might be waaaaay too much of a good thing for electronica, pop music, and most (classic) rock studio-recordings.
That said, it's pretty decent for live rock, though. The nicer ones of the Dead bootlegs really rock with this, especially Phil Lesh's melodic picking style of playing the bass translates really nicely. And well-produced live stuff like the Allman Brothers' At Fillmore East truly sings with that combo of tubes.