Cousin Patty
Headphoneus Supremus
- Joined
- Nov 3, 2005
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I just recently acquired a pair of RS-1's from a member here on the FS/FT thread. All I can say is that I am incredibly impressed with these headphones when they are synergizing with a perticular recording.
Specifically I wanted to talk about Metallica's ... and Justice for All and Master of Puppets. From the headphones that I've had up until now, none of them could convey these two recordings in a way that I felt was right. I always had a problem with these two recordings while listening to them on headphones and even went as far to say that I thought the recordings were bad. I simply didnt like how the tone of the guitars and drums were being presented on other 'phones. All that has changed now that I've listened to them through the RS-1's.
The first thing that I noticed was of course the guitar tone. It was obvious right away that these headphones were just right on when it came to the tone of the guitars. ...and Justice for All's guitars have this sort of resonant quality to them (as a result of doubling the guitar tracks I assume) that I felt was being held back with other headphones. All the bass on this recording is being produced by the guitars and drums. The RS-1's really allowed the guitars to open up and gave them bass they need. Not only the bass improved but the guitars stopped sounding nasal-like and harsh. Great tone took its place. This brings me to my next point...
If you know anything about Metallica and ...and Justice for All specifically, you'll know that the bass guitar parts on this album are notoriously non-existant. I was amazed when I was actually able to hear some of Jason's bass work in the music with the RS-1's. Now, dont get me wrong, it's still very much hidden in the mix, but just the fact that these headphones allowed the notes to poke their head up now and then was really awesome IMO. The RS-1's also managed to bring Lars' kick drum to a level where I felt it needed to be. I finally felt the smack of the kickdrum was being presented correctly and at a suitable volume.
As for Master of Puppets, this recording always seemed kind of distant with a very nasal-like guitar tone. The RS-1's again allowed the recording to just open up and really fill up the headphones with sound and great guitar and drum tone. And of course I was hearing things in the recording I never heard before. Cliff's bass lines came through better than ever.
The RS-1's are great for alot of other recordings too, but I really knew that these were special when they were finally able to make these two recordings that I had issues with, not only listenable, but just sounding plain badass. This was something the SR225, K701, and HD595 were simply not able to do.
Specifically I wanted to talk about Metallica's ... and Justice for All and Master of Puppets. From the headphones that I've had up until now, none of them could convey these two recordings in a way that I felt was right. I always had a problem with these two recordings while listening to them on headphones and even went as far to say that I thought the recordings were bad. I simply didnt like how the tone of the guitars and drums were being presented on other 'phones. All that has changed now that I've listened to them through the RS-1's.
The first thing that I noticed was of course the guitar tone. It was obvious right away that these headphones were just right on when it came to the tone of the guitars. ...and Justice for All's guitars have this sort of resonant quality to them (as a result of doubling the guitar tracks I assume) that I felt was being held back with other headphones. All the bass on this recording is being produced by the guitars and drums. The RS-1's really allowed the guitars to open up and gave them bass they need. Not only the bass improved but the guitars stopped sounding nasal-like and harsh. Great tone took its place. This brings me to my next point...
If you know anything about Metallica and ...and Justice for All specifically, you'll know that the bass guitar parts on this album are notoriously non-existant. I was amazed when I was actually able to hear some of Jason's bass work in the music with the RS-1's. Now, dont get me wrong, it's still very much hidden in the mix, but just the fact that these headphones allowed the notes to poke their head up now and then was really awesome IMO. The RS-1's also managed to bring Lars' kick drum to a level where I felt it needed to be. I finally felt the smack of the kickdrum was being presented correctly and at a suitable volume.
As for Master of Puppets, this recording always seemed kind of distant with a very nasal-like guitar tone. The RS-1's again allowed the recording to just open up and really fill up the headphones with sound and great guitar and drum tone. And of course I was hearing things in the recording I never heard before. Cliff's bass lines came through better than ever.
The RS-1's are great for alot of other recordings too, but I really knew that these were special when they were finally able to make these two recordings that I had issues with, not only listenable, but just sounding plain badass. This was something the SR225, K701, and HD595 were simply not able to do.