Some notes from tube-rolling. Chain is Roon via Pi2aes - Bifrost 2 - Quicksilver HPA - HD 650
Some have remarked that this amp sounds good with the stock tubes. I agree. A few of these have remarked that there's not much difference between stock tubes and NOS. To this, I disagree - this amp changed pretty drastically with tube rolling; though it did maintain a somewhat similar character tonally, its technical abilities were changed significantly by tube rolling. In short, putting in NOS tubes elevated the sound. Previously, I thought this amp was pretty much worth its price-point. With NOS tubes, though it doesn't quite get to the <2000 ToTL level, it is disturbingly close.
So far, I've tried two sets of inputs and two sets of drivers. Let's talk inputs first.
RCA (or possibly CBS) 12ax7 made for Lowrey Organs: The best mid-range tone I've heard on the amp so far, with a spooky, holographic stage. Also quite dark, with rolled treble and little air in the top octave. Great bass quality, too, with a very robust sounding bottom end. This tube really elevated the amp's dynamics and timbre, at the cost of making it a notch or two darker. Quite fun, but occassionally one wants the sound to be more open. Though extremely textured and revealing of small note nuances, can be somewhat muddy and unclear due to lack of air. Despite the warmth, has a somewhat harder, grittier, more exciting sound than stock. Upper midrange and lower treble can be a tad fatiguing despite roll-off; treble isn't always presented naturally. Highly Recommend.
Raytheon 12ax7 made for Baldwin: Huge contrast to the RCA. Exceedingly good micro-dynamics; poor macrodynamics. Bass feels somewhat woolly and not particularly robust, but treble is far better extended and also has a more natural timbre in the upper octaves. Despite the relative "brightness" of this tube, the sound is actually more relaxed due to both the depth of staging and a lack of "bite" and "tactility". In fact, this tube overall has a "softer", "smoother" sound than the RCA, with quicker decay but also rounder leading edges to notes. Is a much clearer and more mild, pleasant sounding tube, with a better sense of openness and less fatigue, but also tends to not have the same texture and sense of atmospherics of the RCA. Lacks some "magic". Recommend tentatively.
Finally, the power tubes. I could hear less of a difference swapping between these, but it was still there.
RCA 7189: Elevates the technicalities of the amp without significantly changing tone. Things are brought more into focus, and dynamics, particularly on the macro scale, sound noticeably more intelligible. Generally has a neutral tone with some small roll-off in the very top octaves. Somewhat "soft" sounding. Highly Recommend.
Mullard EL84 New Production: Makes the sound somewhat less soft and more tactile, but at the cost of technical abilities. Just does not have the sense of staging, dynamics, or detail as the RCA 7189 NOS tubes. Do not recommend.