Portable Audio Tech info-gallery(56k Warning)

Jan 24, 2010 at 3:39 PM Thread Starter Post #1 of 144

evillamer

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This thread focus is about portable audio technology, feel free to post anything amazing or useful.


nfr3fz


Quote:

This design has very few limited parts and a large diaphragm, so it is easy to have big bass in the response of the design. The diaphragm works like an air pump in a pressure field pumping the sound to your ear canals. In the scale of things the moving mass is heavy in relationship to the magnetic flux density. This tends to give most moving coil designs a tubby, under damped sound to the bass. Some would consider this design not fast. The S4 minimizes this effect with an extra magnet in the pole piece section. This is a very uncommon design in the industry thus the S4 cost a little more to make than the average 10-15 mm driver.



100209_01BalancedArmature.gif


Quote:

When you look under the hood you can start to understand why the KG 926 or KG 623 balanced armatures are complicated to work on. Imagine tuning the box on this enclosure. It is easy to understand that the port is uber small, so small that it is difficult to see with the naked eye. Even with my super glasses on.

Following through the animation we can imagine electronic audio signal travelling to the fixed coil. With this magnetic charge occurring the armature gets excited and repels the magnetic field as it sit between two Neodymium magnets. The armature then servos the push rod, which in turn moved the diaphragm creating acoustic signal in the form of compressed and rarified air pressure. This air pump pushes air down the snout of the design to the nozzle on the headphone and through the eartip to your ear canal. As the pressure builds up in your ear canal your ear drum reacts by moving out. The electronic signals from your MP3 player have now converted to sound in your earballs. (Earballs... That’s a technical term) And sound is recreated from your favorite tunes…

The benefit of this design is that the armature is very light thus the sound is very fast. Transient attack occurs instantaneously so your highs are buttery smooth and your vocals crystal clear while your kick drum slams your brain to the skull. Now that’s THUMP!


Animation023.jpg


Source:
Professor Thump

balancedarmaturedriver.jpg


Source:
Amazon.com: Creative Aurvana In-Ear Headphones: Electronics

imageView(4).jpg


balanced_armature_detail_21.jpg


Source:
FAQ


Crash Dummies? I think they are Audio Dummies?

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Quote:

In reviewing all the facts, even a simple iPod test is not so straight forward at deriving how loud your music is in your head. But common sense goes a long way. If you're in a noisy environment, like a factory or bus, and can wear headphones that isolate noise, by ALL MEANS wear them. They may help to protect your hearing. This will allow you to listen to music for long durations of time at lower level since the ambient noise is not an issue. If your ears are ringing after a live concert, you are probably causing damage to your hearing. You can use your in-ear headphones to attenuate the live sound to a manageable level, because Klipsch wants you to enjoy a lifetime of musical entertainment.


Source:
Tech Blog
 
Jan 24, 2010 at 3:42 PM Post #2 of 144
Shure SE530 Blowup

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source:
The Best Headphones - Earphone Solutions Ranking


Shure_E500_12x9.jpg


source:
http://www.head-fi.org/forums/f103/e...54/index2.html

IMG_0697.jpg


Source:
http://forum.lowyat.net/topic/1280745

Westone3 Disassembled:

W3-1.jpg


W3-2.jpg


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W3-4.jpg


UE TF10

B0019RBJOE_10_Exploded.jpg


triplefi-diagram.jpg


http://www.audio-ideas.com/reviews/h...riplefi10.html

UE11
hiw_earbud_485.jpg


Quote:

How to Deliver Pristine Sound
1. Separate the Signal
A circuit called a crossover divides the audio signal into different frequency ranges and routes each batch to one of four speakers in the earphone.
2. Activate the Speaker
The signal from the crossover enters a speaker and flows into a tiny copper coil, which responds with faint electromagnetic vibrations. Nearby, a small strip of metal, or armature, balances between the fields created by two magnets. The vibrations disrupt this magnetic field, causing the magnetized armature to pivot.
3. Move the Air
When the armature moves, it pushes a small rod connected to a diaphragm, which in turn pushes the surrounding air and generates sound waves.
4. Deliver the Sound
One sound tube carries the high frequencies while another handles the mids and the lows. Mixing treble and bass in your ear instead of in the headphones, as other earbuds do, makes music sound less like you’re hearing it inside a phone booth and more as it would in the hall where it was recorded. Acoustic filters prevent interference between the high and low frequencies inside the sound tubes.


Source:
http://www.popsci.com/gear-gadgets/a...lest-subwoofer

Sony MDR-EX700LP Disassembled:

sony-mdr-ex700lp-headphone-in-ear.jpg


Source: http://www.sonyinsider.com/2008/12/1...a-sony-earbud/

Sony MDR-EX90LP Blowup:
sony-mdr-blowup.jpg


Source: http://mstation.org/hardware-sony-earphones.php


Marketing BS, but nice graphics:
MDR-XB-diagram2.jpg


http://www.sony-asia.com/pressreleas...lpressreleases

Sleek Audio SA6 Diagram:
sa6_earphones_front.jpg

sa6_inside.jpg


http://gizmodo.com/295313/sleek-audi...angeable-parts

JVC FX700 blowup:
jvc_ha_fx700_2.jpg


Source:
http://www.anythingbutipod.com/archives/headphones/

IE8 Dissembled:

image014.jpg


http://www.beareyes.com.cn/2/lib/200...0090116181.htm

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Jan 24, 2010 at 11:03 PM Post #8 of 144
Frequency Response Charts(YMMV):

IEM%20Frequency%20Response.jpg


Quote:

This is from my own testing, using a pink noise track to EQ each earphone (ear) flat. This graph represents how off from (ear) flat each was. I will state this is subjective. My ears hear different from yours. However, the relative difference will be the same between us. A 3dB gain to me is still a 3dB gain to you, so you can compare between responses and get a feel for how different each is in SPL across the frequency range. I will note that +/-3dB isn't a major issue. This is technically double/half volume but we don't greatly perceive SPL differences within a few dB.

The SE530 is quite midrange focused. Treble is well extended, but it is slightly recessed. The Triple.Fi will come across bright and sparkly relative to the SE530. If you do want a milder top end, you can use Comply's T-500 tips. The open cell foam will soak up some of the sound and tame down the top end. The bottom end on the SE530 is quite light. You can also see why the IE8 is so well liked for bass response. It offers a nice midbass bump and doesn't even drop below the 0dB point (referenced at 1kHz for each earphone) till about 20Hz. The UM3X is also an excellent option for bass response and doesn't have the sharp cut like the Triple.Fi has.


__________________

Source: mvw2


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Hydrogenaudio Forums > Can IEMs be as good as full sized headphones?


accuracy-graphic3.jpg


Source: http://www.etymotic.com

SE530
shure_se530.jpg


V-moda vibe duo:
v-moda_vibe-duo.jpg


http://www.headphoneinfo.com/content...Comparison.htm

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http://www.stereophile.com/headphone...re/index3.html
 
Jan 25, 2010 at 3:30 AM Post #11 of 144
This is a great information thread. Good info on how balanced armatures work. Would be nice if we had something sticky-ed that only pertains to internals of balanced and dynamic drivers and how they work and the way high and low freQ BA are built differently. For some reason Balanced Armature is a little more interesting to me than Dynamic, as dynamic can be found everywhere and most of us know how they work.
 

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