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Oct 21, 2006 at 12:33 AM Thread Starter Post #1 of 23

Asr

Headphoneus Supremus
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I know we've got a ton of photographers here (amateurs and pros alike) so I thought I'd put forth a question that's been burning inside me. How do you guys take those fantastic pics of your equipment? Are there any tricks I should know about? Techniques? Etc? I have the Canon PowerShot SD600 and I'm looking for ways to enhance my photography skills when it comes to everyday AND equipment shots. Because I'll be doing a lot of equipment shots very soon...

I also want to know how to do those "studio" shots that pro Web sites do, like HeadRoom for example, where the background is nothing but white and it looks like a professionally-staged pic rather an amateur effort done on a computer desk.
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Oct 21, 2006 at 1:29 AM Post #2 of 23
One of the first things that I found out is to learn to use your camera's macro function for closeups.
 
Oct 21, 2006 at 2:16 AM Post #3 of 23
It's certainly not anywhere near professional quality but I thought that the picture of my CD3000s in my sig came out pretty well. Just a simple combo of external flash, a tripod, and Photoshop. For most though, I don't like to spend that much time, so I just shoot with my Panny instead of my Nikon. When I do that, I just slap it on a tripod, set the aperture+shutter+white balance, and just snap a few shots. Oh and never shoot in auto, manual usually works best. Though I'm not sure why you're asking, those shots of your AKGs were really nice.
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Oct 21, 2006 at 3:30 AM Post #4 of 23
Have you looked at any books on the subject? The only point-and-shoot I've used for a long time is a Kodak dx4350 or something like that. It was so frustrating to use I bought a Nikon D50, and it was like night-and-day. I tell the camera what to do, and it does it to a T, none of that fiddling around that so often occurred with the kodak. The SD600, though, has a manual exposure mode, shutter speed, white balance, and similar, so the best idea would be experiment with finding out how the camera behaves with different settings in different environs (say outside vs inside, tungsten light vs. white light, etc).

Also remember that technique (if that is the right term) is not the only aspect to photography, there is also the imagery itself, the 'artistic' quality of the medium, if you will. Have you looked at the various tuts floating around the web on how to make a white box in which you can get seamless backgrounds, etc?

Really, though, although I'm sure people like Skyline and the other wizards on this board could totally outclass anything I can do with my D50 using a SD600 or equally featured point-and-shoot, if you want proper professional shots, then at some time you will need a camera with a fully manual mode.
 
Oct 21, 2006 at 3:54 AM Post #5 of 23
Quote:

Originally Posted by Asr
I also want to know how to do those "studio" shots that pro Web sites do, like HeadRoom for example, where the background is nothing but white and it looks like a professionally-staged pic rather an amateur effort done on a computer desk.
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It's all about controlling and balancing the light:

First get to know the different types of lights that illuminate the subject. A key light may be positioned above and to the side of the subject. The fill light softens the shadows by slightly filling them in while lightening up the dark side of the subject. The fill light is on the opposite side of the camera than the key light. The background light is directly behind the subject aimed at the background and is used to eliminate shadows from the subject that might fall on the background. A rim or hair light is behind the subject and provides a glow or halo around the subject and helps separate it from the background.

Umbrellas soften light and spread it out over a wider area reducing the brightness and are many times used for the primary or "key" light. Keep in mind that many slave flash systems permit TTL exposure (like Nikon) so there is little guesswork in exposure calcs.
 
Oct 21, 2006 at 4:30 AM Post #6 of 23
Oct 21, 2006 at 4:39 AM Post #7 of 23
controlling light is a huge issue...once you get the hang of different kinds of light and their locations, your pictures will turn out much better (not that i'm anywhere near that skill level yet, either)...
 
Oct 21, 2006 at 4:40 AM Post #8 of 23
First, understand what ISO (light sensitivity), F-number (aperture size), shuttle speed (time the shutter stays open), and white balance mean. Pretty soon you'll be able to estimate the different values of these according to situations, provided you understand them.
 
Oct 21, 2006 at 4:55 AM Post #9 of 23
Ahh ISO, that's another thing I've been clueless about - my night shots never come out good. I need to know how to do night shots better.

Quote:

Originally Posted by skyline889
Oh and never shoot in auto, manual usually works best.


Now this is exactly the kind of info I need.
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I don't really know what manual exposure is but now that I know about it I can look it up and see how to do it.
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Great info posted so far guys, keep it coming, definitely appreciate it and will look into all of it.

About the staged pics I mentioned, how exactly do you set that up? Where do I find an all-white background, or fake an all-white background? And my knowledge of digital retouching is limited so please go easy on me with that - I only have Photoshop Elements 2.0 too.
 
Oct 21, 2006 at 5:06 AM Post #10 of 23
Quote:

Originally Posted by Asr
Ahh ISO, that's another thing I've been clueless about - my night shots never come out good. I need to know how to do night shots better.


In digital photography, ISO rating defines the sensitivity of the CMOS or CCD image chip (what captures the image when the lenses direct light onto it), and in traditional photography, it's the sensitivity of the film or photographic plate to light.

For example, using an ISO1600 in broad daylight means it takes less time for the CMOS or CCD chip to react to light, and capture the image, as compared to if you were using ISO800.

So the darker the object or location of photography, the higher you set your film speed rating to, right? Wrong. It isn't that simple.

Higher film speed ratings tend to produce an effect called noise, wherein the image appears grainy. Because of this many photographers prefer to use low ISOs for night photography, and compensate with longer exposure time (shutter speed). I.e instead of using ISO3200 and using a shutter speed of a say, half a second (I can't remember, been a long time since I was into photography
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), he may choose to use ISO800 but with an exposure time of 10 seconds. That means the shutter stays open for 10 seconds.

What a long exposure time means, though, is that it isn't good for motion photography, or photography without a stand. The former shouldn't affect you if you're only taking pictures of items around your house (still-life or macro), but the former would if you aren't using a stand, or even a remote (even with a stand, shaky hands can blur a photo, which is why professionals sometimes use a wired remote). This is because when the shutter stays open, the different-intensity (brightness) and frequency (colour) light rays have to be hitting the same spot continuously on the film or image sensor in order for a sharp image to be captured. All those intentional blurred shots of race cars are hence created using longer exposure times (and in a bright location, a lower light sensitivity to compensate).
 
Oct 21, 2006 at 8:17 AM Post #11 of 23
Getting an all white background is extremely easy. For a really really cheap solution just line the inside of a cardboard box with white paper. Simply grab a few lamps and shine them directly at the object you want to photograph. Just play around with the exposure until you get it correct, do remember to set correct white balance depending on what color lights you are using. Here are some photographs I took with a point and shoot. Total set up cost $3.20

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Oct 21, 2006 at 1:31 PM Post #15 of 23
Quote:

Originally Posted by dj_mocok
I haven't looked at my photography for 1-2 months now after a little "incident" at the casino that totally blew my plan for DSLR. lol


Well you have amazing work!!! Stay out of the casinos. FYI there are some really good DSLRs right now...D80, Canon, Leica/Panasonic. With your talent you should just sell a bunch of images and afford one.

Back on track, I agree with the previous posters that backgrounds are a quick way to enhance your product photography. There are some pretty good deals on used stands, umbrellas, disks, gels etc. that will also help if you have to room. I sometimes use a simple table against a wall with a curved backdrop for my product images.
 

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