Music Alchemist
Pokémon trainer of headphones
- Joined
- Dec 17, 2013
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What about sound?
ahaha. HD 800 is light years ahead, of course, and still almost as comfortable.
What about sound?
ahaha. HD 800 is light years ahead, of course, and still almost as comfortable.
My ears touch the inside of the SHP9500's cups and it's very annoying. Other than that, it's comfortable.
Now A/B testing headphones make little sense, as they touch your head, so you are able to distinguish them by touch, instead of only hearing.
Nevertheless, it would interesting to have users select HPs purely on what they hear, removing visual and price category aspects from the selection.
Not claiming there are no differences (HP, as well as speakers, are the components where differences are decently discernible), since there are plenty, but the interesting part would be user's sound signature selection, once they do not know which brand and price they are listening to.
Well, when you're comparing the SHP to $1,000 headphones, the difference in sound is unmistakable.
By the way, you implied in the past that headphones so expensive might sound the same after EQ. But it turns out that most of the sound signature comes from aspects that cannot be altered with EQ. (Like texture, articulation, imaging, etc.) I know this because I make sure to equalize headphones now to see what they're capable of.
Also, since you implied that DACs are not "decently discernible" from each other, get (or at least listen to) a Chord DAC. Conventional DACs sound absolutely awful in comparison. It's not due to frequency response and distortion, since they all are fine in that regard. But Chord DACs have zero noise floor modulation and far better timing accuracy, resulting in a much more natural sound. I can't go back to a normal DAC now. I tried the other night and it was nearly unlistenable.
I have "tried" many expensive DACs, but when I try, I isolate the view/brand/price/hype factors, and focus only on what I hear.
A DAC (or an AMP) is a black box which takes an input signal S, and transforms it into an output signal T.
Besides all the hype-filled audiophile words (timing, jitter, sound stage, texture, air, ...), if T=K*S (with K constant), then you have the perfect device with 0% distortion.
So if you have a DAC A which produces Ta with 0.001% distortion, and a DAC B which produced Tb with 0.0001% distortion, and plenty of studies have found human hearing unable to pick up distortion level below 0.1% (with some studies closer to 0.5%), A and B will sound the same.
Because, any alteration of the signal (timing, jitter, sound stage, ...), will show up as distortion. There no magic hidden channel by which Ta sounds different from Tb, if HumanHear(Ta) == HumanHear(Tb).
Left out FR from DAC and amps talks, because any decent (even a $30 cMoy amp or a $29 Apple connector DAC have) DAC or amp have flat-as-pool-table FR in the audible range.
But these conversations tend to repeat themselves over and over, and I am kind of tired![]()
You feel free to poke me again with a loud "I told you so!", when a decent group of audiophiles will decide to show up to a scientifically conducted blind test, to prove what they are actually claiming on the net.
Anyone who has heard a Chord DAC knows that's a lie.![]()
I'm trying to get a somewhat warm sound out of shp9500 than its default output. Not that it feels bright or sibliant in any way but I think an extra layer of warmth might make it sound even more pleasant. How would an amp, say, A3 or E12 with bass boost turned on help with this? Yes, shp doesn't really shine or actually in need of extra amplification and no matter how warm boosted source I'm feeding it from, it won't get all bassy over the spectrum. But will such amp at least would be of any help to get a slight warm tonality out of shp9500?
I'm trying to get a somewhat warm sound out of shp9500 than its default output. Not that it feels bright or sibliant in any way but I think an extra layer of warmth might make it sound even more pleasant. How would an amp, say, A3 or E12 with bass boost turned on help with this? Yes, shp doesn't really shine or actually in need of extra amplification and no matter how warm boosted source I'm feeding it from, it won't get all bassy over the spectrum. But will such amp at least would be of any help to get a slight warm tonality out of shp9500?
I'm trying to get a somewhat warm sound out of shp9500 than its default output. Not that it feels bright or sibliant in any way but I think an extra layer of warmth might make it sound even more pleasant. How would an amp, say, A3 or E12 with bass boost turned on help with this? Yes, shp doesn't really shine or actually in need of extra amplification and no matter how warm boosted source I'm feeding it from, it won't get all bassy over the spectrum. But will such amp at least would be of any help to get a slight warm tonality out of shp9500?
The Bravo 2 amp does a nice job of that for me. Especially with the gold lion tube. The tube it comes with is a bit muddy sounding and the GT tube I tried was too bright. The gold lion adds some sound stage/reverb and just enough warmth to be pretty darn good for the price and is nicely balanced for a warmer tone.
Yeah, the SHP9500 cups are very large and shallow, so if you have protruding ears, they might touch the bottom of the ear cup.
But since the clamping force is minimal, that should be little issue.
I'm trying to get a somewhat warm sound out of shp9500 than its default output. Not that it feels bright or sibliant in any way but I think an extra layer of warmth might make it sound even more pleasant. How would an amp, say, A3 or E12 with bass boost turned on help with this? Yes, shp doesn't really shine or actually in need of extra amplification and no matter how warm boosted source I'm feeding it from, it won't get all bassy over the spectrum. But will such amp at least would be of any help to get a slight warm tonality out of shp9500?