Quote:
Originally Posted by Dept_of_Alchemy /img/forum/go_quote.gif
If it measures bad, it sounds bad. Converting digital signals to analogue is an electrical engineering problem, not an art. That's all I'm saying.
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I'd change that a tiny bit. If it measures
real bad then it can't be good. Now we just have to determine what's the definition of "real bad"...
You must consider what measurements. Some people are alarmed at jitter of 150pS which they probably can't hear. Some dismiss a DAC because it has noise peaks at -90 dB, which they definitely can't hear. BTW, that's less than a 16th bit of resolution.
Tests are conducted normally with steady tones, which is not typical to music. The noise generated in a real system with real music is different than the test, in the sense that it varies with the signals, in most cases. You must apply the final filter - the ear/brain psychoacoutics - to any of these measurements. That's why magazines give you "listening tests" in addition to the measurements.
There is one speaker designer who claims he doesn't need to listen to his speakers and measurements are enough. I listened to his flagship speaker and I'd suggest that he better listen too...
One day we might have a
complete and accurate model of good audio reproduction and a set of tests that would correlate to real-world measurements. Until then, the ear happened to be the best test tool by far -
for me. YMMV
I measure first to make sure there is nothing grossly wrong, then I listen. If I hear something odd then I try to correlate it to some factor through measurements. Sometimes it's not practical to trace the issue, so you let it go and proceed based on your subjective listening test.
It's an awful method, but it's the best I know.