Daniel_S
New Head-Fier
- Joined
- Nov 21, 2004
- Posts
- 12
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- 0
Hi,
A month ago, some old sealed phillips 'phones of mine were finally filed in the rubbish bin and I started looking around the 'net, learning about what makes a good headphone. Firstly I spent many enjoyable hours reading reviews and opinions about headphones and the other day I had a chance to listen to 3 Sennheiser headphones. The listening experience put a lot of the terms I had read about (terms like warm, forward, soundstage etc.) into perspective. It also left me a without a firm decision and so I'm here, open to any suggestions on offer.
Firstly, here are a few things about what my broad intentions are:
- These headphones will be used at home and so I have been looking at open 'phones. I found that my old pair of circumaural 'phones made my ears itchy and hot which is another reason I like the idea of open 'phones.
- I will be listening mainly to music that I'd call rock, from pretty much every rock decade as well as classical music and a bit of jazz, metal, pop, rap here and there.
- I am intending to build a CMOY amp (mainly for the fun of building and then tinkering - I have reasonable electronics experience) and expect that will then lead to more (expensive) amps.
So on with my experience with the 3 Sennheiser 'phones. I only listened to one track and only for about 5 minutes on each pair. The store is a high-end audio store and although I didn't take notice of the CD player and headphone amp, they seemed to be decent:
555 - Straight up these were better sounding that any headphone I had ever heard, remembering I had only listened to fairly ordinary sets in the past. They were comfortable but after 4 mins my ears felt a little warm. This served as my reference point for the other two 'phones. I was impressed.
595 - Firstly, these felt better on my ears. I don't know if the material is different but it felt cooler and lighter on my ears. I could immediately notice that the sound was 'better'. In particular I noticed that with a snare drum I could really hear the wire against the drum. I knew I'd happily fork over the extra. The other thing I noticed was that I felt like I was sitting on the stage with the musicians. I had read about 595s being 'forward' and the term 'front row seats' has been used to describe them...now I understood. This is what I was expecting - 'better' than the 555s all over for me.
600 - I tried these just because they were there. The first thing I noticed was that the amp needed to be turned up a lot more. I had read about this but this made it much clearing - these things were significantly harder for the amp to drive. They were also fractionally more comfortable on my ears than the 595s. They sounded 'better' still than the 595s. I thought I could hear more detail in the sound although it was less 'full on' and I found myself cranking the amp more and more. Once I got them to the right level I realised that the very forward presentation (I think that's the right term!) of the 595s had actually tensed me up a little. I did a few 595 to 600 swaps and confirmed that whilst it was an amazing sensation to feel like you were sitting on the stage (595s) I found it to fatigue me and I preferred to be sitting back a little (600s). As well as being further back, the sound seemed less 'bright' (not sure if this is the right term, higher sounds did not seem to crash into me as much as the 595s). I don't know if this comes with being less forward. Overall these were a noticably better listening experience but more than I was hoping to pay.
The going internet price in Australia is roughly:
555 - $200 AU
595 - $330 AU
600 - $580 AU
650 - $600 AU
The 595s seem to be going for a relatively lower price than elsewhere.
So where to from here? The 555s are better than anything I've ever heard but the 595s justify the extra spend for me. I loved the 595 sound (in particular that I could hear every detail) but I'm not sure I would handle being so far forward all the time. I was a little tired when the impromptue listening experience presented itself ( so maybe I'd like it more when refreshed) but I think that overall I prefer to feel like I'm watching rather than performing on stage! I may end going for the 600s (but then I should test the 650s I guess) but they are a mot more than money than the 595s. At the moment I think I'll try 595s and maybe I'll adjust to the forward presentation.
Can anyone suggest other 'phones I should look into? A less forward 595 would be great or a cheaper 600 that's perhaps a little brighter . One other thing, is it possible to compensate through equipment? The Beyerdynamic 880s ($500 AU) are something I'd like to try but opinions seem to suggest they are not well suited to rock (light on the bass) - is this something that could be compensated from the source?
I'll be looking forward to hearing opinions. Please correct me where I may have mis-used and jargon in describing the sounds I was hearing. I know I'll be happy with whatever I buy but I'm enjoying the journey and think I have a little more 'research' ahead of me.
Regards,
Daniel
A month ago, some old sealed phillips 'phones of mine were finally filed in the rubbish bin and I started looking around the 'net, learning about what makes a good headphone. Firstly I spent many enjoyable hours reading reviews and opinions about headphones and the other day I had a chance to listen to 3 Sennheiser headphones. The listening experience put a lot of the terms I had read about (terms like warm, forward, soundstage etc.) into perspective. It also left me a without a firm decision and so I'm here, open to any suggestions on offer.
Firstly, here are a few things about what my broad intentions are:
- These headphones will be used at home and so I have been looking at open 'phones. I found that my old pair of circumaural 'phones made my ears itchy and hot which is another reason I like the idea of open 'phones.
- I will be listening mainly to music that I'd call rock, from pretty much every rock decade as well as classical music and a bit of jazz, metal, pop, rap here and there.
- I am intending to build a CMOY amp (mainly for the fun of building and then tinkering - I have reasonable electronics experience) and expect that will then lead to more (expensive) amps.
So on with my experience with the 3 Sennheiser 'phones. I only listened to one track and only for about 5 minutes on each pair. The store is a high-end audio store and although I didn't take notice of the CD player and headphone amp, they seemed to be decent:
555 - Straight up these were better sounding that any headphone I had ever heard, remembering I had only listened to fairly ordinary sets in the past. They were comfortable but after 4 mins my ears felt a little warm. This served as my reference point for the other two 'phones. I was impressed.
595 - Firstly, these felt better on my ears. I don't know if the material is different but it felt cooler and lighter on my ears. I could immediately notice that the sound was 'better'. In particular I noticed that with a snare drum I could really hear the wire against the drum. I knew I'd happily fork over the extra. The other thing I noticed was that I felt like I was sitting on the stage with the musicians. I had read about 595s being 'forward' and the term 'front row seats' has been used to describe them...now I understood. This is what I was expecting - 'better' than the 555s all over for me.
600 - I tried these just because they were there. The first thing I noticed was that the amp needed to be turned up a lot more. I had read about this but this made it much clearing - these things were significantly harder for the amp to drive. They were also fractionally more comfortable on my ears than the 595s. They sounded 'better' still than the 595s. I thought I could hear more detail in the sound although it was less 'full on' and I found myself cranking the amp more and more. Once I got them to the right level I realised that the very forward presentation (I think that's the right term!) of the 595s had actually tensed me up a little. I did a few 595 to 600 swaps and confirmed that whilst it was an amazing sensation to feel like you were sitting on the stage (595s) I found it to fatigue me and I preferred to be sitting back a little (600s). As well as being further back, the sound seemed less 'bright' (not sure if this is the right term, higher sounds did not seem to crash into me as much as the 595s). I don't know if this comes with being less forward. Overall these were a noticably better listening experience but more than I was hoping to pay.
The going internet price in Australia is roughly:
555 - $200 AU
595 - $330 AU
600 - $580 AU
650 - $600 AU
The 595s seem to be going for a relatively lower price than elsewhere.
So where to from here? The 555s are better than anything I've ever heard but the 595s justify the extra spend for me. I loved the 595 sound (in particular that I could hear every detail) but I'm not sure I would handle being so far forward all the time. I was a little tired when the impromptue listening experience presented itself ( so maybe I'd like it more when refreshed) but I think that overall I prefer to feel like I'm watching rather than performing on stage! I may end going for the 600s (but then I should test the 650s I guess) but they are a mot more than money than the 595s. At the moment I think I'll try 595s and maybe I'll adjust to the forward presentation.
Can anyone suggest other 'phones I should look into? A less forward 595 would be great or a cheaper 600 that's perhaps a little brighter . One other thing, is it possible to compensate through equipment? The Beyerdynamic 880s ($500 AU) are something I'd like to try but opinions seem to suggest they are not well suited to rock (light on the bass) - is this something that could be compensated from the source?
I'll be looking forward to hearing opinions. Please correct me where I may have mis-used and jargon in describing the sounds I was hearing. I know I'll be happy with whatever I buy but I'm enjoying the journey and think I have a little more 'research' ahead of me.
Regards,
Daniel