I've been using mp3 and other formats for a long time too, grinch, I've also been buying albums for a long time. I'm not saying it isn't illegal to copy music, but I'm saying that it shouldn't be illegal. The idea that Information Is Property is an incorrect assumption that is largely a product of the last 20 years.
When companies like Microsoft first started selling software, many people in the industry thought it was nuts. They said, "How can you sell software? How do you put a CONCEPT into a little box, shrinkwrap it, and sell it from a storefront?" Well, the companies said, "Watch us." and they did it. Around the same time, in 1983, the GNU project was started as an attempt to liberate software. Not STEAL software, but write new software, and use a special copyright license to give users the rights to unlimited modification and distribution. Those rights had been implicit in the past, until companies decided that copyright, instead of being a tool to aid the user, was instead a tool to take rights away from the user.
Anything created is partially a product of all the creations you have seen, and heard, and studied. We call this practice CREATIVITY, not piracy. Information is a concept. It can be infinitely reproduced in electronic mediums, without damage to the integrity of the data. It is not a product. Let me say that again. Information Is Not A Product. CDs are products. Records are products. Hamburgers are products. Music is NOT a product. Information, by its very nature, WANTS to be copied. It WANTS to spread. Knowledge is not owned by anyone, it belongs to everyone. When a copyright is used to restrict your ability to copy and modify the information you have, it is going against the operational philosophy of information. It tries to grip something that cannot be held.
Musicians create music to be heard. Any musician who is in it for money I won't have anything to do with anyway. Music wants to be heard. It wants to be copied a billion times, so that everyone in the world can listen to it. But artists need to make money! Of course they do. I understand that. Artists should sell CDs, and people will buy them because they want the liner notes, and the case, and the professionally printed CD. Artists should sell records. I buy LOTS of records, because I love how they sound, and I enjoy the tactile experience, and I like having big cover art. Artists should sell tickets to their live performances. I go to lots of performances, big name bands, symphonies, local artists, etc. Artists should recieve donations. I've sent donations to artists who's music I've gotten a lot out of. I also support endowment programs that support new artists, allowing them to get their name out for the first time.
What is killing the industry is NOT people copying music. What is killing the industry is the greed of the record companies, and the artists who follow them so blindly. What is killing the industry is last-ditch gropes for control like CD copy protection schemes. What is killing the industry is an environment where all the radio stations are owned by one of two companies, who also own the record companies, who determine every single song that does and does not get on the radio. If you aren't on the big label, you are going to have to FIGHT to get any radio play at all, and it will probably only be local stations who have a 'local music hour' or some lucky hits at the small handful of still independently owned stations.
The digital music revolution is changing the way the world sees music. For the better. Bands like Wilco, and artists like Afroman, would never have been discovered, because the record companies passed them over. But because of the speed and efficiency of digital music copying, they were discovered. Wilco just released their latest album entirely online. They still sell CDs and people still buy them, even though they openly post their songs as mp3s.
Even earlier, bands like The Samples, and The Butthole Surfers, and Phish, and The Grateful Dead, and The Dead Kennedys, and many more, encouraged people to tape live shows. Do you think all those thousands of bootleg tapes being copied and passed around HURT the band? Hell no! It made them more popular than ever, because they let their music be heard by more people.
Part of the reason music costs so much is because the record companies are spending so much money FIGHTING music copying. But if they just stopped fighting, they could lower their prices, making the originals MORE ATTRACTIVE to customers. Their battle is only self defeating. The more they mess up CDs with copy protection, and raise the prices, the fewer CDs people will buy. That ONLY HURTS THE ARTISTS. The record company execs have plenty of money for themselves, when CDs don't sell, its the the artists who get the shaft. Even when they do sell, artists get a pitiance of the cost anyway. I say cut down on the BLOAT of the record companies, charge less for CDs (which they can do, because they won't be in CONSTANT legal battles), don't fight music copying, and give more of the CD profits to artists. Artists should focus more on live performance, seeing your favorite band play live is not copy-able, its a once in a lifetime experience. Artists should focus on selling quality products, like CDs that work (no copy protection) with quality inserts, lyrics, pictures, things that are nice to have in hardcopy.
The industry is killing itself, because its founded on the fallacy that information is property. If it changes its form, and people change the way they think about music, the music world will be better for it. Better for the artists, and better for the listeners.
We are so used to thinking about copyright in the terms of restriction of rights, that its hard to imagine a world where copyright law is used to GIVE people rights. But if you think about it, that world could be a great improvement over what we have now. Think outside the box, as they say.
Peace,
phidauex