Scuse Me While I Kiss The Sky
I had the opportunity to A/B the PCA and Hakuin for a few hours while I was waiing for the Hakuin’s battery to drain down, so I could check the “fuel gauge” circuit.
Background
As I’ve said many times on these forums, I’m no reviewer. I don’t know how to apply all the “audiophile terms”, and I find them generally meaningless when others use them. I think I have tin ears vs. golden. But… I do love music, I listen to music almost constantly throughout every day, and I know what I like. With that said, my music doesn’t need to be “audiophile quality”. I listen to a lot of recordings that many would consider crap, and the vast majority of my music comes piped from a Sonos through my ceiling speakers. However, I’ve assembled a few decent loudspeaker systems over the years, and I own some purportedly decent headphones, IEMs, amps, DACs etc. So, if you’ll trust the opinion of a self-proclaimed music lover with a terrible case of GAS (Gear Acquisition Syndrome) – read on.
Intro
Man… I wish I had these amps 40 years or so ago when I would sit with a pair of headphones trying to write down lyrics. As an older guy trying to learn to play a bit of guitar, I know I can hear nuances and riffs – particularly in recordings multitracked with the same guitar over top of itself. If I could sing even a little, I’d use them to pick a singer out of a harmony to match. They are both exceptional amps IMO
Summary / Conclusion
So how do they differ?
In a few words. The Hakuin provides a bit more effortless detail and maybe a slight change in what I perceive as localization in and around my head.
In more words. What I love about both amps, is their ease of providing the music. I never want to take off my headphones. I never get that fatigue, headaches, or even pain associated with some rigs I’ve tried. I’ve used various PCAs for 100s of hours while traveling. There is NO “shouty” behavior anywhere… anytime. With the Hakuin, I feel like I get that same delivery, but with just a shade more detail and no added fatigue or harshness. I've heard some rigs where I can hear details exceptionally well, but they make me want to tear my ears off after 20 or 30 minutes, or I get a headache. These don't do that to me.
The only other difference I think I perceive is that with the one pair of IEMs I used, it seems to move a bit more of the far left and right… well … further left and right. Almost seems like edges are “stronger” with whatever is center stage in the “center of the head” becoming no louder, but more easily discernable. It’s no more “forward” in the middle of the perceived soundstage, but the parts of the recording that are right inside the old noggin’ (like lyrics) are more easily picked clean. There’s no degradation of what’s on the edges “in the ears and just outside”, but that potentially wee bit more separation allows whatever is front and center to be very easily heard and understood.
I still want to try it with other headphones and give it more time.
My Guesses
- If you have a PCA and love it, you’ll probably want a Hakuin.
- If you don’t have a PCA, and need a portable amp – Once they’re out… If you get your hands on one, you'll probably want to keep it.
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Notes -
Both of these were built with my amateur hands. I have no idea how they measure, but I’d give it a 90%+ shot that they perform as XRK971 intended.
The PCA has the Panasonic caps and Silmic cap changes and is running at the “standard” bias. I used sequential bugs from the reel in the build, but this one did not have super carefully hand selected/matched parts.
The Hakuin is a prototype. I don’t know whether there will be further tweaks. As with the PCA, I used sequential parts from the reel for the JFETs and BJTs. I did not go to the trouble of matching to 5 significant digits. The Hakuin does use some pretty sweet parts if you’re into that sort of thing.
Source – iPhone 6 running Qobuz. Streamed vs. Downloaded. All tracks at 16/44 or higher. HP output set to one click from max.
IEMs – Beyerdynamic Xelento
I level matched the amps using a few sections of songs and white noise by ear to the best of my ability.
I sometimes listened to 10-30s of a song before swapping amps, and sometimes I listened to a few songs. Sometimes I went back and forth a few times within a song and repeated sections. Sometimes I listened to the full song, many times I did not.
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Songs and general focus areas – I just picked some random albums and a few songs I know pretty well. It’s what I wanted to listen to this morning, plus a few things I like to use when listening for certain things. Nothing specific. I don’t “critically listen”. I don’t know how. As you’ll see – I have some eclectic? tastes…
Still Crazy After All These Years – Live in Central Park
Homeward Bound - Live in Central Park
Harmony, Guitar, Crowd Noise, and Ambience
Homeless – Graceland
Sense of space, vocals – the vocal sections and individual voices
Diamonds on the Soles of Her Shoes – Graceland
LSBM Vocals and Sibilance
Nobody Knows You When You’re Down and Out – Unplugged
Hey Hey – Unplugged
Midnight Rider – A Decade of Hits
Guitar work
Helplessly Hoping – So Far
Woodstock – So Far
Find the Cost of Freedom – So Far
Harmony and discernment of individual voices, Guitar work
Sexual Healing – Midnight Love
What’s Going On – What’s Going On
Intro conversation, Vocals
Ain’t No Mountain High Enough – United
You’re All I Need to Get By – You’re All I Need
Vocals – Tammi’s specifically. Shrill or not in places?
Fade Into You – So Tonight that I Might See
Lyrics… ooooooh that voice.
Fade Into You – Playing Favorites
Lyrics… ooooooh her voice too.
Whiskey Lullaby - A Hundred Miles or More
Molly Bawn - A Hundred Miles or More
Intro and Vocals.. Emotion
Can’t Find My Way Home – Blind Faith
Everything…
Angry Chair – Unplugged
Over Now - Unplugged
Bass, Kick Drum, Clear Lyrics, Guitars
If I Had $1,000,000 – Gordon
Sibilance, Naturalness of voices / conversation, fiddle and accordion
One Week – Stunt
The Chain – Rumours
Mick’s drumming. Harmonies.
Silver Spring – The Dance
Flight of the Cosmic Hippo
Bass, but really all of it… C’Mon!
After 2nd cup… Mainly Used Just Because I Still Needed Music No Notes
What Is and Should Never Be - II
Going to California – IV (Runes) Whatever you want to call it
Dragula – Dragula
Thunder Kiss ’65 – La Sexorcisto – Devil Music Vol. 1
Ænima - Ænima
46 and 2 – Ænima
Jerk Off – Opiate
Opiate – Opiate
46 and 2 – O’Keefe Music Foundation -
YouTube
Last song was from YouTube vs. Qobuz
Pic of "High-Tech A/B Rig". Notice the fancy cables