plakat
Headphoneus Supremus
That’s an interesting point and reminds me of a short discussion with Fried Reim of Lake People / Violectric. Talking about the slightly warm signature of his amps he told me: just listen to some concert. There’s not that much treble there, and we’re aiming for that natural feeling.In my opinion, most headphones suffer from being too bright and from treble spikes. (besides the obivously very dark tuned ones). Speakers rarely do. My monitor speakers the Neumann KH310 are considerably "darker" than most studio headphones in the 300$ range. Since the Neumanns measure flat in the mids and treble in my room i guess that is more natural/neutral than what most headphones achieve. I have owned the DT1990 and its far from what i would call a middle ground. I havent heard these 2 new beyers yet yet but from impressions and measurements, they might be what i would call a middle ground.
Most head-fiers are used to too much treble, and weak bass. IF you take flat speakers into the equation. Just a personal observation.
I‘m not too sensitive to treble, and I dislike muffled sound for sure. But yes, over the past few years I came to appreciate what was also Tyll Hertsens target sound, a bit warmer, fuller. I’m listening to electronic music almost exclusively on headphones, so there’s no absolute reference point… yet warm and detailed is my current preference. Oh, and do I mention deep bass? Wall shaking, breath taking — oh yes. Unstructured or overpowering? No, thank you.
I can appreciate a glittering treble and don’t want to miss air, but when things get sharp as knifes while trying to show off resolution (that’s not even there)… that’s not for me. So yes, I’ve liked several Beyerdynamic models of yesteryear, but I do appreciate their change of signature.