Sonic Defender
Headphoneus Supremus
This request is for those head-fi members who just love figuring out audio puzzles. I think I have a very audible example of either (a) impedence mis-matching between source and headphone, or (b) the effect of mechanical damping/low impedence design. This is a little difficult to explain so please bare with me.
I have found a Sarah McLachlan song (Into the Fire) from her album Solace that with low impedence headphones (confirmed on my HF2s and DT 770 80 ohm) that at a particular passage repeated throughout the song seems to cause a very distorted bass response generated from a sub-bass signal. However, when I play this same song through my DT 880 600 ohm headphone, regardless of the source (Valhalla, Creek solid state amp, iPod video+E11) the sub-bass signal is smooth and full. There is nothing wrong with either of the low impedence headphones, and playback volume was not an issue.
If anybody is interested in replicating this the sub-bass pulse occurs as the chorus begins with Sarah singing the line "and into the fire...". There is at least one other instance besides the chorus where this sub-bass pulse happens which will also trigger the distorted response. There is no doubt that the high impedence 880 makes it through the passage without a hitch which leads me to suspect the reasons I listed above for the low impedence headphone issue, either the result of a signal high-lighting impdeence mis-matching, or as I take it, the related effect of using more mechanical dampening. I know it is a strange request, but I do not enough about the science of sound to understand what is going on. Thanks for any thoughts you might have on this trivial, but interesting observation of mine.
I have found a Sarah McLachlan song (Into the Fire) from her album Solace that with low impedence headphones (confirmed on my HF2s and DT 770 80 ohm) that at a particular passage repeated throughout the song seems to cause a very distorted bass response generated from a sub-bass signal. However, when I play this same song through my DT 880 600 ohm headphone, regardless of the source (Valhalla, Creek solid state amp, iPod video+E11) the sub-bass signal is smooth and full. There is nothing wrong with either of the low impedence headphones, and playback volume was not an issue.
If anybody is interested in replicating this the sub-bass pulse occurs as the chorus begins with Sarah singing the line "and into the fire...". There is at least one other instance besides the chorus where this sub-bass pulse happens which will also trigger the distorted response. There is no doubt that the high impedence 880 makes it through the passage without a hitch which leads me to suspect the reasons I listed above for the low impedence headphone issue, either the result of a signal high-lighting impdeence mis-matching, or as I take it, the related effect of using more mechanical dampening. I know it is a strange request, but I do not enough about the science of sound to understand what is going on. Thanks for any thoughts you might have on this trivial, but interesting observation of mine.