Know Talent
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Test 1# 9' SAA Equinox w/ 1/4" jack vs. factory HD600 cable
Arcam FMJ CD23 powered by PS Audio mains cord, running 0.5m StraightWire "Serenade" IC's into X-Can V3 with factory wall wart.
The factory cables sound recessed in the mids, like you're standing in a hallway just off the main room....slightly veiled would probably be the best description. Bass is strong, if not some what bloomy...NOT bloated, but definately emphasized vs. the mid and upper ranges.
Separation between instruments is good and vocals are amazing. On "Lowdown" Boz has two backup singers and you can make out both individual voices while they're harmonizing! very cool and adds a touch of dimensionality to the listening experience. Subtle vocal shifts, breathing and such are all there to hear.
Switching over to the SAA cable, the first thing I noticed was how the bass tightened up and the mids came forward. At first I was kind of dissapointed as my main bass reference is Patricia Barber's rendition of Bill Wither's "Use Me" which has a kickass double bass intro. The factory cables are seriously "phat" and the decay is awesome as it trails into blackness. The SAA's definitely provide toe-tapping rythym, and are more accurate based upon my experiences listening to live double bass, but it's not as flamboyant as what the factory cables throw at you. Much the same for the bass drum hits on the opening to the Eagles "Hotel California" off of Hell Freezes Over. The SAA provides low register slam but cast just a ever-so-slight, but noticeable, smaller low freqency presence. It's like the soundstage is, not compressed, but somewhat smaller vs. the factory wire(?)
The mid frequency stuff is where the SAA really leave the factory cables in the dust. Again, the factory cables often make vocals sound like you're sitting in the balcony or sometimes in a hallway adjacent to the main room....magnitude dependent on recording per usual. The SAA Equinox bring the vocals and all other mid freq come FORWARD! Not so much that it outweighs the balance but it just seems so dramatic vs. the factory cables because now you've just moved to 7th row center (or closer). Patricia Barber's vocals on "Live: A Fortnight in France" sound like you're sitting right next to her on the piano bench... AWESOME!!!
The backup vocalists on Boz's Live Greatest Hits are now not just two distinct voices, but two voices that if you close you eyes you feel as if you could reach out and touch them. AMAZING.
I can't comment much on the highs as I feel my hearing is not good enough to evaluate such. All I will say is both the SAA and factory present clean highs without an edge.
IMO, the strong point to the SAA's is that, in bringing the mids forward, they bring a better balance to the frequency range. The bass, while not as "bloomy" as the factory cables, is tight and musical. I have read other reviews which state a slightly elevated upper midrange with the SAA's and I have not noticed this yet. My guess would be that this impression may be dependent (colored) on ears, choice of music and recording???
Looking forward to plugging the "Little Pinkie V3i" into the chain tonite!!!
(Maybe I'll get some of that bloomy "phat" bass back!!!
)
Arcam FMJ CD23 powered by PS Audio mains cord, running 0.5m StraightWire "Serenade" IC's into X-Can V3 with factory wall wart.
The factory cables sound recessed in the mids, like you're standing in a hallway just off the main room....slightly veiled would probably be the best description. Bass is strong, if not some what bloomy...NOT bloated, but definately emphasized vs. the mid and upper ranges.
Separation between instruments is good and vocals are amazing. On "Lowdown" Boz has two backup singers and you can make out both individual voices while they're harmonizing! very cool and adds a touch of dimensionality to the listening experience. Subtle vocal shifts, breathing and such are all there to hear.
Switching over to the SAA cable, the first thing I noticed was how the bass tightened up and the mids came forward. At first I was kind of dissapointed as my main bass reference is Patricia Barber's rendition of Bill Wither's "Use Me" which has a kickass double bass intro. The factory cables are seriously "phat" and the decay is awesome as it trails into blackness. The SAA's definitely provide toe-tapping rythym, and are more accurate based upon my experiences listening to live double bass, but it's not as flamboyant as what the factory cables throw at you. Much the same for the bass drum hits on the opening to the Eagles "Hotel California" off of Hell Freezes Over. The SAA provides low register slam but cast just a ever-so-slight, but noticeable, smaller low freqency presence. It's like the soundstage is, not compressed, but somewhat smaller vs. the factory wire(?)
The mid frequency stuff is where the SAA really leave the factory cables in the dust. Again, the factory cables often make vocals sound like you're sitting in the balcony or sometimes in a hallway adjacent to the main room....magnitude dependent on recording per usual. The SAA Equinox bring the vocals and all other mid freq come FORWARD! Not so much that it outweighs the balance but it just seems so dramatic vs. the factory cables because now you've just moved to 7th row center (or closer). Patricia Barber's vocals on "Live: A Fortnight in France" sound like you're sitting right next to her on the piano bench... AWESOME!!!
The backup vocalists on Boz's Live Greatest Hits are now not just two distinct voices, but two voices that if you close you eyes you feel as if you could reach out and touch them. AMAZING.
I can't comment much on the highs as I feel my hearing is not good enough to evaluate such. All I will say is both the SAA and factory present clean highs without an edge.
IMO, the strong point to the SAA's is that, in bringing the mids forward, they bring a better balance to the frequency range. The bass, while not as "bloomy" as the factory cables, is tight and musical. I have read other reviews which state a slightly elevated upper midrange with the SAA's and I have not noticed this yet. My guess would be that this impression may be dependent (colored) on ears, choice of music and recording???
Looking forward to plugging the "Little Pinkie V3i" into the chain tonite!!!
(Maybe I'll get some of that bloomy "phat" bass back!!!