TrevorNetwork
TrevorNetwork - Canadian Group Buy Coordinator
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- Jan 13, 2003
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AOS and I compared the Flute to my Dynahi + DAC1 setup, and felt the Flute faired very well. Full disclosure, I am a manufacturer of Dynahi amplifiers, I like the DAC1, and I would consider AOS a friend of mine. However as many know, I also call a spade a spade.
As you may all know the Flute can also be used as a DAC. Simply put, maxing the Flute's volume results in it outputting a line-level signal. Exactly the same as a traditional DAC.
Listening to the Flute utilizing Audio Technica ATH-W2002 (My reference) I found the Flute had excellent transparency, and speed. The digital volume control was very seemless in that the steps are 0.5dB. The attenuation system did not make any audible sound as volume was changed. However, it did not have the frontal soundstaging that I am partial to. Interestingly it did possess a very "airy" presentation. This, of course is due to its speed. Comparing the Flute's amplifier vs. the Dynahi's (both fed by the Flute's DAC) I found the Dynahi possessed superior PRaT (Pace, Rhythm and Timing), as well as more bass slam. The Dynahi also had superior frontal imaging. However, they resembled eachother somewhat in their detail, and ability to easily separate instruments. I felt the Flute may have had superior separation between channels. Interestingly, when AOS and I RMAA'd the Dynahi (1212m) we found just that. The Flute measured incredibly well in all regards, especially noise. Including very low crosstalk between channels. (I suspect this may be due to the Alps' pot, my stepped attenuators had not arrived at that time). That is not to say the Dynahi's crosstalk is actually audible, it's not. It is more a feeling of separation between channels. I felt the Dynahi's treble was more extended, however in some way, the Flute's treble sounded very pleasant. Perhaps more so than the Dynahi's. However, this does not change the fact that the instrument separation, speed, and feeling of "ease" at which the Dynahi produces sound is not very apparent. I felt both had excellent bass, but again, the Dynahi seemed to give an "Electrostatic-like" ease with which it produces bass. I felt the Flute's bass might have been a bit boomy, but this is in comparison to a $1500 amplifier! Bare in mind, this is utilizing the Flute's DAC for both the Dynahi and Flute. Keep in mind also the flute draws milliwatts, the Dynahi draws over a hundred watts!
The cables used were Nordost SPM Reference (Thanks GoRedWings19!), the source is AOS' high-end Sony changer.
The Flute is the absolute best portable I have ever used. It is also an excellent DAC. I would not hesitate to recommend the Flute to anyone looking for a DAC, especially a DAC+amp combination.
As you may all know the Flute can also be used as a DAC. Simply put, maxing the Flute's volume results in it outputting a line-level signal. Exactly the same as a traditional DAC.
Listening to the Flute utilizing Audio Technica ATH-W2002 (My reference) I found the Flute had excellent transparency, and speed. The digital volume control was very seemless in that the steps are 0.5dB. The attenuation system did not make any audible sound as volume was changed. However, it did not have the frontal soundstaging that I am partial to. Interestingly it did possess a very "airy" presentation. This, of course is due to its speed. Comparing the Flute's amplifier vs. the Dynahi's (both fed by the Flute's DAC) I found the Dynahi possessed superior PRaT (Pace, Rhythm and Timing), as well as more bass slam. The Dynahi also had superior frontal imaging. However, they resembled eachother somewhat in their detail, and ability to easily separate instruments. I felt the Flute may have had superior separation between channels. Interestingly, when AOS and I RMAA'd the Dynahi (1212m) we found just that. The Flute measured incredibly well in all regards, especially noise. Including very low crosstalk between channels. (I suspect this may be due to the Alps' pot, my stepped attenuators had not arrived at that time). That is not to say the Dynahi's crosstalk is actually audible, it's not. It is more a feeling of separation between channels. I felt the Dynahi's treble was more extended, however in some way, the Flute's treble sounded very pleasant. Perhaps more so than the Dynahi's. However, this does not change the fact that the instrument separation, speed, and feeling of "ease" at which the Dynahi produces sound is not very apparent. I felt both had excellent bass, but again, the Dynahi seemed to give an "Electrostatic-like" ease with which it produces bass. I felt the Flute's bass might have been a bit boomy, but this is in comparison to a $1500 amplifier! Bare in mind, this is utilizing the Flute's DAC for both the Dynahi and Flute. Keep in mind also the flute draws milliwatts, the Dynahi draws over a hundred watts!
The cables used were Nordost SPM Reference (Thanks GoRedWings19!), the source is AOS' high-end Sony changer.
The Flute is the absolute best portable I have ever used. It is also an excellent DAC. I would not hesitate to recommend the Flute to anyone looking for a DAC, especially a DAC+amp combination.