raddle
100+ Head-Fier
- Joined
- Nov 10, 2013
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Measurements of audio equipment can never be the ultimate arbiter of the accuracy of reproduction of a system; only listening can be that. Measurements are models.
An example of a model is a map that Google Maps produces. It shows you roads and buildings. If you use the map to get to a building shown on Google Maps, and when you arrive there it turns out that the building isn't there, what would you conclude?
A. Google Maps is wrong.
B. You are hallucinating the absence of a building.
Generally (A) would be correct. That's because the map is just a model; it's not reality itself, but "stands in" for reality. It's not a complete description of reality and it can differ from reality. People know that about maps, but for some reason a lot of people are taking option (B) when it comes to audio when they put their faith in measurements.
The reality of the listening experience is a subjective experience that results from the behavior of the audio equipment and the listener's brain. The measurements are just models of that situation. E.g. the frequency response curve is a model calculated assuming the device is linear. It doesn't capture nonlinearities at all. It's incomplete. It corresponds roughly to what people hear (that is, it roughly models the listener's brain), but doesn't capture very much of the behavior of a brain.
Measuring harmonic distortion at a given frequency is a *very* small slice of reality. It takes a number of complex mechanisms, reduces them to a steady state (causing a loss of information about reality), and then reduces the entire nonharmonic energy to a single number, further losing information.
An example of a model is a map that Google Maps produces. It shows you roads and buildings. If you use the map to get to a building shown on Google Maps, and when you arrive there it turns out that the building isn't there, what would you conclude?
A. Google Maps is wrong.
B. You are hallucinating the absence of a building.
Generally (A) would be correct. That's because the map is just a model; it's not reality itself, but "stands in" for reality. It's not a complete description of reality and it can differ from reality. People know that about maps, but for some reason a lot of people are taking option (B) when it comes to audio when they put their faith in measurements.
The reality of the listening experience is a subjective experience that results from the behavior of the audio equipment and the listener's brain. The measurements are just models of that situation. E.g. the frequency response curve is a model calculated assuming the device is linear. It doesn't capture nonlinearities at all. It's incomplete. It corresponds roughly to what people hear (that is, it roughly models the listener's brain), but doesn't capture very much of the behavior of a brain.
Measuring harmonic distortion at a given frequency is a *very* small slice of reality. It takes a number of complex mechanisms, reduces them to a steady state (causing a loss of information about reality), and then reduces the entire nonharmonic energy to a single number, further losing information.