Joomy
New Head-Fier
- Joined
- Jul 13, 2009
- Posts
- 13
- Likes
- 0
I had this argument a while back with a friend of mine, when he claimed that Bellamy was better than Yorke. At the time I was adamantly opposed to the claim, and still am, but with a few caveats.
I think it's indisputable (my friend would dispute it) that Bellamy's modal voice, that is, not his falsetto, is unimpressive compared to the majority of professional singers. Putting him and Mercury in the same poll is kind of pointless, compared to Freddie he is nothing, he is an amateur. Honestly, I have friends whose modal voice singing (which is voice people normally sing in and are trained in) is much better than his.
For me the quality of his modal voice is what lets him down as a singer and Muse as a band. I think many of their songs are great, but the quality of much of the singing is just not on par with the rest of the virtuosity that the band displays. For me, Thom Yorke's modal voice is far, far better: it's more controlled, more haunting, more effortless, more soulful and just generally better developed and/or naturally better.
Now that's his modal voice. His falsetto is another matter entirely. Thom Yorke has a great falsetto, but Bellamy's is in a league of its own. In fact, I have never before heard such incredible falsetto singing. Not only does he stretch it up to an incredible range but the quality he gets out of it is excellent. The stuff he does with it, for example on Knights of Cydonia, is mind blowing. The first time I heard the song I just assumed it was electronically altered an octave up, but having seen the HAARP video, I now realize that it's all real. Amazing stuff.
That said, I still think Yorke is a better singer. Falsetto is great for rock and roll, but you can't sing in and Bellamy doesn't sing in it all the time. It's OK for hitting those ridiculously high notes but it'd sound stupid to try and sing in it all the time. Every time time I hear a Muse song I wish that Yorke or someone else was singing the modal voice parts, but you can't go past Bellamy for those shrieking, impossible highs.
I think it's indisputable (my friend would dispute it) that Bellamy's modal voice, that is, not his falsetto, is unimpressive compared to the majority of professional singers. Putting him and Mercury in the same poll is kind of pointless, compared to Freddie he is nothing, he is an amateur. Honestly, I have friends whose modal voice singing (which is voice people normally sing in and are trained in) is much better than his.
For me the quality of his modal voice is what lets him down as a singer and Muse as a band. I think many of their songs are great, but the quality of much of the singing is just not on par with the rest of the virtuosity that the band displays. For me, Thom Yorke's modal voice is far, far better: it's more controlled, more haunting, more effortless, more soulful and just generally better developed and/or naturally better.
Now that's his modal voice. His falsetto is another matter entirely. Thom Yorke has a great falsetto, but Bellamy's is in a league of its own. In fact, I have never before heard such incredible falsetto singing. Not only does he stretch it up to an incredible range but the quality he gets out of it is excellent. The stuff he does with it, for example on Knights of Cydonia, is mind blowing. The first time I heard the song I just assumed it was electronically altered an octave up, but having seen the HAARP video, I now realize that it's all real. Amazing stuff.
That said, I still think Yorke is a better singer. Falsetto is great for rock and roll, but you can't sing in and Bellamy doesn't sing in it all the time. It's OK for hitting those ridiculously high notes but it'd sound stupid to try and sing in it all the time. Every time time I hear a Muse song I wish that Yorke or someone else was singing the modal voice parts, but you can't go past Bellamy for those shrieking, impossible highs.