Quote:
Originally Posted by DarkAngel
Gracky
Looks like you are a Mitropoulos fanatic
Have you been able to compare the NYPO Mitropoulos Mahler set vs the Music & Arts set? I would really like to add a Mitropoulos 1,5,9 to my fabulous 6th.
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NYP Broadcasts set is not a Mitropoulos set, but a complete symphonies set from various conductors. However AFAIK it's the only way to listen to Mitropoulos' M6/NYP and the purgatorio mov. of M10 on CDs. Other recordings are worth to note also, especially Kubelik's M7, Tennstedt's M5 and Boulez' M3 are. As you know the price is high, so it is a hard question whether to get it for Mitropoulos only or not.
M&A set contains M6 from Koeln RSO (same to the Great conductors series) and NYP performances of other symphonies mostly from the 1960 Mahler festival (except M8, with VPO at Salzburg, same to the Orfeo issue). The recordings are the most broadly circulated Mahler recordings of his. Transfer of the set is very good. The drawback of this set is that it was Mitropoulos' last year with NYP, and at that time the ensemble of the orchestra was quite poor; Mitropoulos was not an orchestra builder and he was too good to force the orchestra the perfect ensemble. So in the perspective of the performance only, I usually recommand other recordings than the M&A set. However the set is of a good value. Very good transfer of classical performances for a reasonable price.
In the case of M6, IMHO, NYP performance is the best, in 1955 the orchestra hasn't been so corrupted, and the reading is probably the most coherent one ever recorded. Choice of tempi is perfect. A more coherent and full of tension performance than Koeln one.
For M5, AFAIK the one in the M&A set is the only surviving recording. Well, it's my favorite recording of M5, but I must warn you that it is far from the technical perfection. The orchestral playing is simply poor. Nevertheless it conveys the spirit of Mahlerian ambivalence most effectively.
Koeln M3 (Tahra) and Vienna M9 (Andante) are of quite unique and special characteristic. They are from the last days of the conductor (Koeln M3 is from the last concert of his) and readings are extremely pessimistic. Vienna M9 is only available as the Andante VPO set. Its price is high, but the couplings are also great performances, especially Bohm's Heldenleben is. I'm sorry that I can't find an economic way of collection.