Matt
Are there any women on this board?
- Joined
- Jun 25, 2001
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Hi.
I just bought a set of 0.5 meter Kimber Kable Hero interconnects. I have a "pet" pair of interconnects (the most pleasing to me from what I already had), which is a 1 meter pair of Transparent Audio's MusicLink cables.
When I first stuck them like this: CD source > Kimbers > Grado RA-1 headphone amp > Grado 'phones, I noticed an immediate difference (or so I thought) over the Transparents. The whole sound had a much more natural, relaxed feeling. Very natural, very realistic. Voices had what I might call "chest" and "breath" meaning basically that they sounded organic and believable.
I have burned the Heros in for the last two and a half days, leaving the CD player playing into the turned-on amp with the headphones either in or out (if in, I turned the volume knob down to kill the sound).
When I woke this morning and gave them a shot, they totally changed, and not for the better! The rather convincing soundstaging was lost. Everything became mashed together and instead of having a 3D sound picture surround me, complete with nooks and crannies and all sorts of 3D texture, it was more like just a globe of cheap sound around my head.
As far as soundstaging, the music was outside of my head, but so much less interesting or convincing. It reminded me of those Koss '80s I used in Barnes and Nobles the other day (not terrible, but NOT what I paid for with these 'phones!)
One of the things I noticed is that the high frequencies are definitely being rolled off. The frequency extension of the Grados has now had it's gonads cut off. Drums are duller, they don't have the high, eye-blinking part of the "crack!" Instruments sounds are "simplified" with their lack of discernable upper harmonics.
Also, Micro detail such as little tinkling bells or clicks or maracas are just dead and flat, where they used to be a part of the 3D soundstage and you could locate them with relative ease. I am, of course, talking about those frequencies which, if you were to play them alone, would be pacing just near the edge of that line where your upper-register hearing perception cuts off.
This really pisses me off because I've heard that Kimber recommends you burn them in for 72 hours before doing any critical listening. I don't know if this means 3 days of regular average usage or 3 straight days, 72 straight hours, of straight music.
If these cables don't get their act together and at least get back to where they were out of the package (which would be mostly acceptable by me), I am going to throw a diva tantrum and return the frickin'-frackin' things. GRRRRR!
- Matt
I just bought a set of 0.5 meter Kimber Kable Hero interconnects. I have a "pet" pair of interconnects (the most pleasing to me from what I already had), which is a 1 meter pair of Transparent Audio's MusicLink cables.
When I first stuck them like this: CD source > Kimbers > Grado RA-1 headphone amp > Grado 'phones, I noticed an immediate difference (or so I thought) over the Transparents. The whole sound had a much more natural, relaxed feeling. Very natural, very realistic. Voices had what I might call "chest" and "breath" meaning basically that they sounded organic and believable.
I have burned the Heros in for the last two and a half days, leaving the CD player playing into the turned-on amp with the headphones either in or out (if in, I turned the volume knob down to kill the sound).
When I woke this morning and gave them a shot, they totally changed, and not for the better! The rather convincing soundstaging was lost. Everything became mashed together and instead of having a 3D sound picture surround me, complete with nooks and crannies and all sorts of 3D texture, it was more like just a globe of cheap sound around my head.
As far as soundstaging, the music was outside of my head, but so much less interesting or convincing. It reminded me of those Koss '80s I used in Barnes and Nobles the other day (not terrible, but NOT what I paid for with these 'phones!)
One of the things I noticed is that the high frequencies are definitely being rolled off. The frequency extension of the Grados has now had it's gonads cut off. Drums are duller, they don't have the high, eye-blinking part of the "crack!" Instruments sounds are "simplified" with their lack of discernable upper harmonics.
Also, Micro detail such as little tinkling bells or clicks or maracas are just dead and flat, where they used to be a part of the 3D soundstage and you could locate them with relative ease. I am, of course, talking about those frequencies which, if you were to play them alone, would be pacing just near the edge of that line where your upper-register hearing perception cuts off.
This really pisses me off because I've heard that Kimber recommends you burn them in for 72 hours before doing any critical listening. I don't know if this means 3 days of regular average usage or 3 straight days, 72 straight hours, of straight music.
If these cables don't get their act together and at least get back to where they were out of the package (which would be mostly acceptable by me), I am going to throw a diva tantrum and return the frickin'-frackin' things. GRRRRR!
- Matt