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Originally Posted by Bjornboy81 /img/forum/go_quote.gif
I pulled everything apart, cleaned it all and regreased the main bearing. I'll check to see how long it spins for, but it's completely silent!
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sounds fine. Also make sure the platter is not rising and falling when it spins as sometimes the bearing can get distorted. If the scraping was just dirt stuck to the bottom of the platter as it sounds from your description then this is probably fine.
Different grades of oil will effect how well it spins and how quietly. Since this wasn't a very expensive deck sometimes the tolerances of the bearing and sleeve are not as good as they could be so heavier oil can help. Japanese kit is usually pretty good in this regard though.
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Originally Posted by Bjornboy81 /img/forum/go_quote.gif
Radio Shack it is! haha. What is the preamp doing, just amplifying the 4.6mV signal from the pickup, right? It's not doing any mixing either is it? I notice that it's essentially a balanced signal from the pickup.
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The Pre-amp is also applying RIAA equalisation. Basically when the vinyl is pressed they attenuate the lower frequencies to fit more on the record amongst other things so this needs to be re-eq'd back to normal for playback.
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Originally Posted by Bjornboy81 /img/forum/go_quote.gif
I was thinking of building my own right into the cabinet of the TT (keep the runs short) and just basing it on a CMoy setup. Good idea, bad idea? I should be able to tie the green and black together as ground I'm not sure what the setup of the pickup coils are. Any good reference material to read BTW?
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Generally the mechanics of the deck are the most important element to get right as it's essentially measuring tiny vibrations so any extraneous noise from the motor or electronics will be fed back into the stylus and amplified muddying the tiny signal.
Therefore it's better to isolate the electronics as much as possible. The belt drive system is still the simplest way of acheiving this as far as the motor is concerned but you should clean the path with isopropyl and get a new belt form turntablebasics as I mentioned to optimise the tension for correct pitch.
They will send you a range of sizes until you get one which fits. It can't be too tight either or it will stress the bearing and lots of their standard measurements are incorrect.
Acoustic feedback is the other main issue. Get some foculpods or similar isolation supports and try to place the deck on it's own surface, preferably a wall shelf unless your floor is concrete, well way from speakers and other equipment. Get a small spirit level and make sure it's completely level.
Rewiring the arm would also be a good upgrade but this is fiddly. Replacing the lead out wires with shielded LCOFC microphone cables is a good cheap upgrade.
There are loads of kit phonostages like the Hagerman Bugle which are rated around here. I have never tried to build one myself but if you search for this here and on the web you'll probably find circuit diagrams which can work as a basis for a DIY effort.
vinylengine.com , audiogon.com and audio asylum also have a lot of DIYers who will be better able to discuss the electronics side of it.