ifi has this fantastic analog feature that completely changes the soundstage of the headphone quality, and in a good way.
Just a warning, non of the other current "Crossfeed" systems (minus SPL Phonitor AFAIK and what I designed for iFi) is based on the actual required generalised HRTF, causing them to function acoustically incorrectly.
They are all based on the transfer function from a single source, which was not measured and instead created at "green table" based on some theoretical assumptions (Bauer Crossfeed). Every single crossfeed since has tried to work based on this target (and lists it in references if honest). It looks like this:
Such crossfeed actually does not "work" correctly. They kinda work, with some recordings, but the target is wrong so it only works with recordings that also sound wrong on speakers.
What is actually required is shown above, crossfeed needs to replicate approximately the difference between L/R ear, to emulate a speaker placement of around 60 degrees ("standard speakers"). You can see the right signal is still present at left ear with about constant attenuation od ~ 8dB above ~ 1.5khz and no more than 12dB attenuation at 10kHz, while below 200Hz the difference is minimal.
Most of software are also based on the same reference as the hardware solutions and as a result have the same issues. You need something like Waves NX to get something based realistic targets.
And of course, whenever the people who think they "know" what crossfeed is like from all the wrong examples, they will state that this is not crossfeed, because it is not the same as all the other wrong cross feeds.
And most people do not like crossfeed and claim "it's only good for certain recordings" and "doesn't sound right with most recordings" and all that shapes both opinion and expectation.
Further, due to the limitations of most recordings, even a "correct" crossfeed will present a rather narrow soundstage, if forward from the head. In terms of perspective a midhall perspective recording would be presented more like listening from the boxes in the rear. So additional correction is required to move both listener and soundstage "forward" and give a more realistic soundstage width.
Thor