Quote:
Originally Posted by ampgalore
where does jitter come from?
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I don't thoroughly understand jitter (few do), but as jefemeister said, there are several different types of jitter that come from a variety of different places.
From what I understand, the most audibly damaging type of jitter is "interface jitter", which is inherent in the s/pdif interface...something to do with interference caused by sending the clock signal and the audio signal over the same line. Any time you send the signal over a toslink or coaxial cable, you get jitter.
This is why outboard jitter-reduction devices are a somewhat flawed concept. Most use a dual-pll scheme to reduce jitter, generate a bunch of emi, and add more jitter as the signal is again transmitted via s/pdif to the DAC. Not saying that jitter-reducers won't improve your sound, its just they don't necessarily do so by reducing jitter.
Quote:
Originally Posted by Budley007
Just a quick question...Doesn't a DAC that use it's own word clock reject a certain amount of jitter from the incoming signal?
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The best way to eliminate the effects of jitter is to use a jitter-immune DAC (like the Benchmark). There's a few different ways to deal with jitter inside a DAC, (generating its own clock may well be one of them) but I don't understand any of them very well.
Quote:
Originally Posted by ampgalore
If I rip all my CDs to wav files to a harddrive, then hook up the optical out on my soundcard to a receiver's DAC, will there still be jitter?
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Way. Evidently the clock signal is highly susceptible to outside interference, which is plentiful in a PC (from dirty power and other clocks on the motherboard).
That said, I'm a "computer source > s/pdif out > outboard DAC" guy. I'm sure the setup I'm using has jitter, but never having heard anything else, I don't know how serious a problem it really is.
According to
Bob Katz, some of the audible effects of various types of jitter include "an intermodulation, a high-frequency edge added to the music", "spurious tones to appear at low levels, blocking our ability to hear critical ambient decay and thus truncating the dynamic range", "a small perfume of hiss at the lowest levels", and "a 'veil' on the sound".
Ever noticed any of these in your system? No? Maybe you don't need to worry about it...